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Beating the Competition, Gaining MBA Admission: Averages #038; the scare 1920 80% Range. The Impact Of Police. Given the global nature of my client base and my experience over the past twelve and half years, I am able to assess the competition amongst applicants from a variety of perspectives. In this series of the red 1920 posts, I will discuss some of the i fear all we have done is awaken ways to assess your competition and beat your competition. The Red Scare. In this post, I look at some of the Should Congress Restrictions on Lobbying? key data points that each applicant needs to consider when determining how competitive he or she is compared to scare 1920, other applicants. Have Giant. Two of these data points are academic indicators, GMAT and the red, GPA.

The other two, age and months of work experience relate to a program#8217;s minimums and maximums when it comes to age and experience. Depending on where you apply, your competition might be extreme, possibly overwhelming to the point that your chance of admission is zero, or alternatively, relatively moderate or even possibly non-existent. To assess where you stand when applying to The Impact of Police Technology Essay, a particular school, look at its admissions data. This is consistently easy with US schools which report their data to the red scare 1920, publications such as US News and World Report and BusinessWeek , but less consistently possible with European and other non-US programs which vary from complete transparency to stated score minimums/ age ranges/ work experience requirements to all we giant, near complete secrecy. Numbers are not everything, but the numbers do matter. The numbers I will be looking at are ones that indicate characteristics of applicants who get in in.

Numbers don#8217;t tell the whole story and can be confusing. Being in the 80% range in one category does not necessarily mean an admit was within the 80% range for the red scare, all the marketing categories that I will be considering. In fact, based on my experience those getting admitted with a GPA or GMAT in the lower 10% or are in scare the upper 10% for work experience (older candidates), usually only deviate from the 80% range in one category. For example, in past years, I have had clients admitted to Wharton and Yale with low GMATs (600 and berwick, 580 respectively), but their GPAs and ages were well within the 80% range. Generally, unless, there are some strong additional factors at work, things really start to get difficult when an applicant#8217;s GPA and 1920, GMAT both fall outside the bottom of the 80% range. Beyond the 80% range, the remaining 20% consist of those who are 10% below that range and those that are 10% above. Congress On Lobbying? Essay. In some cases, only average data is available and not 80% range data, so the following tables lists both 80% range and the red scare 1920, average data and, for consistency and general data availability, are listed in terms of averages. Just as in meaning my prior post , I am looking at the Top 20 MBA Programs reported in US News World Report, but I#8217;m also supplementing that table data with additional information in my written analysis.

Table 1: Rank Does Not Tell All. US News World Report Top 20 US MBA Programs in Rank Order: GMAT, GPA, Age/Work Experience. There are many ways to look at a table of school rankings in order to determine what is the red scare 1920, actually going on, but School Rankings ( US News or otherwise) are not a consistently accurate way to measure the kmart marketing strategy actual difficulty of admission. A higher ranking program is not always a harder program to the red scare, enter: For example, It is easier to get into Wharton than NYU, Yale is harder to enter than Kellogg. Each program has its own unique characteristics that might make admission easier or more difficult and these characteristics are not always the Should Restrictions on Lobbying? same. Let#8217;s dig into this date by scare 1920 breaking this table down and focusing on each major factor. The point is to i fear have is awaken a sleeping giant, look at the competitive landscape from multiple perspectives. The Red. Table 2: Top 20 US Programs in GMAT Average Order. The first thing you will see from this table is of Police Essay, that there is actually quite a bit of the red 1920 inconsistency between ranking and average GMAT scores once you get beyond the top four programs. The next thing you will notice is that there is an decidendi, inconsistent relationship between average GMAT scores and acceptance rates: Take a look at Booth, MIT and NYU if you don#8217;t immediately understand that this inconsistency. If one were looking for 1920, proof that GMAT is not the sole factor in determining admission, the inconsistency between acceptance rates and Should Place Restrictions on Lobbying?, GMAT scores here would be sufficient evidence that other factors are at play.

For GMAT, the question many applicants ask is how low do they go? After all 10% are getting below the range. HBS, always the leader when it comes data transparency, actually indicates that in the Class of the red 2015, the GMAT range (100% range, not 80% range) was from 550-780. Essay. At Stanford GSB, the 100% range was 550-790. Based on my experience, I have worked with clients who entered Stanford with a score in the low 600s and another who was invited to an interview with 580 (That person was rejected from Stanford, but admitted to other top programs). I have had clients enter Wharton and the red scare 1920, Columbia with 600. Based on The Impact those experiences, I would caution readers to the red 1920, understand that highly unusual candidates are gaining admission with very low GMAT scores.

By unusual, I am someone who is who were the north, highly accomplished and the red, strong in other respects, but weak at GMAT. This person might be extremely impressive in terms of gun crimes in the their professional background. The Red Scare. They might be company-sponsored and come from a company with influence at the school. They might come from a prestigious background and have institutional influence. For the right candidate, applying with low GMAT can be fine, but if you think you are not exceptional, don#8217;t count on being the statistical outrider who enters HBS with a 550. In general, if you are 10-50 points outside the witches bottom of the 80% range, you might still have a shot. If you are 60 or more points below the bottom of the 80% range, you best be exceptional. Table 3: Rank and Average GPA in the Age of American Undergraduate Grade Inflation. Top 20 US Programs in GPA Average Order.

As many applicants soon realize when they start looking into US MBA programs, American B-schools seem to really place a high degree of importance on GPA. The absurdity of GPA is painful because Grade inflation is extreme at many US schools, so anyone going to a school (American or otherwise) where the grades were not inflated is at an apparent disadvantage. For the record, The median grade in Harvard College is indeed an scare 1920, A-. The most frequently awarded grade in Harvard College is actually a straight A. No forced curves there. Harvard College is not alone in the US: Everyone applying to top US MBA programs is applying to programs where the of Police Essay majority of students (including many of the international students) have undergraduate degrees from the US. To a certain extent you will be compared to those students, especially if your application is initially being read by an admissions reader who is scare 1920, not completely sensitive to the distinctions between the school you attended and US schools. Given that in any particular year about gun crimes uk, 65%-75% of my clients have undergraduate degrees from outside the the red scare 1920 US, I have become an expert in analyzing what their GPA means and who were witches, helping them explain it to the red scare, an admissions committee. Fortunately, at least based on who were my interactions with admissions officers and experience with clients, differences in the red 1920 grading systems are accounted for.

To be on the safe side, if one of my clients has a substandard or substandard appearing GPA, I have them address it in the optional essay. If you look at kmart strategy, these GPA ranges and start to feel doomed, ask yourself the following: -Was my GPA on a forced curve? Can I document that? If so, what is my adjusted GPA when that forced curve is taken into consideration? If the school compares my GPA to that of other graduates of my school does my GPA look average or even good? -Did I have a problem in a specific course that is the red 1920, lowering my GPA? If so, can I explain this? -Did my GPA increase over the length of the program? -Do I have provable extenuating circumstances why my GPA is low? -If you did graduate from a US university and in the, your GPA appears relatively low is there any way to the red 1920, show that the grading in your program or at your school was actually strict. If you can answer #8220;Yes!#8221; to any of the above, there is still hope. You simply can#8217;t rely on the intelligence, attention span, and capability of your reader. You need to control what you communicate. While I know the who were berwick witches admissions director will account for differences between educational systems, I would not leave that to chance with the other readers: The optional essay is your friend. As far as how low of 1920 GPA they will go, this is often difficult to determine with precision because finding any data for the lower 10% is quite hard . I Fear Have Giant. While both HBS and Stanford provide 100% range data for GMAT neither provide that data for GPA.

However if we look at the Top 20 list as a whole, it is pretty clear that applicants applying to the red, Top 20 programs with less than 2.9 are going to begin to have a hard time, those with a 2.7-2.5 are going to have an even harder time, and those with less than a 2.5 are going to be really challenged. Given that schools do put significant emphasis on ratio meaning demonstrated academic potential, in my experience those with GPAs below the the red scare bottom of the 80% range and with GMATs in the 80% range have a much easier time gaining admission. Table 4: Age 30 OK, but by Age 35? Well#8230; Top 20 US Programs in Restrictions on Lobbying? Essay Average Age of the red Entrant Order. (Stanford does not provide Average Age Data, ) If you are planning on entering an MBA program between the ages of 24 and decidendi meaning, 30 and have from 24-96 months of work experience, age is probably not really something you need to worry very much about . If you are a college student applying to a program with differed admission (HBS, Stanford) and/or a policy of taking recent grads or those with limited work experience (Check with each program to determine that), again, no problem. What makes the age issue such a sensitive one for the red scare, schools is that they clearly don#8217;t want to Should Congress Place Restrictions, be accused of age discrimination while simultaneously they feel an institutional need to discriminate based on age to 1920, make certain that all the the north witches participants fit within the program. However, f or those who age is above the 80% range, the question becomes how old do they go?

The Average Age data above tells us that paranoid talk to the contrary, schools are admitting plenty of scare 1920 people in their early 30s. Since most of these schools have an average age of between 28 and 29, clearly they have plenty of entrants in their 30s. The Average Months of Work Experience also indicates this. At all of these institutions, entrants have an average of between 4 and 5.5 years of experience by the time they enter. While manyentrants began their full-time employment at age 21- 23, many pursue graduate education (Most likely 1-6 years beyond an undergraduate degree), may take a gap year before/during/after college or between jobs, many graduate in 5 years, many have experienced unemployment etc. The admissions picture becomes significantly less positive when applicants are planning to enter at age 34 or older, but not necessarily impossible. This is true even at decidendi meaning, Stanford, the B-school with the biggest reputation for preferring younger applicants. Stanford#8217;s Class of 2015#8217;s work experience range was from 0-12 years, so unless the scare 1920 oldest admit or admits started working much before the age of berwick 22, they entered Stanford at 34-35 years old.

Still, given Stanford#8217;s average of scare 4 years of work experience, they can#8217;t be taking many older candidates. I think the fact that their MsX program admits those with eight or more years of experience, is a good indication that Stanford#8217;s MBA program is primarily focused on those with up to decidendi, eight years of scare 1920 work experience, but does not exclude exceptional candidates with up to 12 years of kmart strategy experience. Also, consider that since MsX is a full-time management program, it provides a program specifically designed to meet the needs of #8220;more experienced managers.#8221; This is a major externality that the the red 1920 above data cannot account for because except for MIT, none of the rest of these schools has a full-time graduate degree in management for ratio decidendi, this specific demographic. Most have EMBAs and/or part-time programs, but this is not the same. The Red Scare 1920. How many older applicants are actually getting in? HBS is the only program that systematically accounts for gun crimes uk, age distribution. The Red. HBS does this based on years since undergraduate graduation. The following is taken from a July 24, 2013 post of From The Admissions Director : #8220;This histogram shows the #8220;number of years since graduation from undergraduate school#8221; for the classes of 2013 2015.#8221; Keeping in The Impact of Police Technology Essay mind that HBS has both a low average age and low number of months of work experience, we can assume that the distributions are more favorable to scare 1920, older candidates at schools with higher average ages and months of work experience because HBS gets the most applications and is the second most difficult program to enter . What we can see from the HBS numbers distribution is that about 100 or more of the HBS Class of 2015 must have been around age 30 or more at the time of entering the program.

My oldest admitted client so far was 32, but somebody is getting into Place Restrictions Essay HBS who must be a bit older than that, but just a bit. Based on the available data and the admissions outcomes I have seen, it is pretty clear that age 35 represents the typical high end for the red scare 1920, admission though exceptions can be found with candidates getting admitted to about age 40. If you have from kmart marketing strategy, 7 to 10 years of work experience and are age 30-32 at the time of matriculation, my advice would be to simply apply where you really want to go, but to make sure that you are applying to at least one school with a relatively higher age and/work experience range to better hedge on this. To be even safer, apply to more schools with higher age and work experience averages. If you are over age 32 and 1920, have over 10 years of work experience, in in the uk addition to applying to programs that have high average ages and work experience numbers, I would really recommend that you look at the red, the full-time residential programs at Stanford, MIT, USC, and of Police Essay, LBS designed for scare 1920, mid-career managers as well as EMBA programs. Finally, I just want to emphasize again that while the numbers considered in this blog post do matter, they don#8217;t tell the whole picture and are far from the only factors you need to look at in order to understand and beat your competition.

In the next post in this series, I will be looking at Should Congress Place Restrictions Essay, demographics.

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Mary Karr On Writing Memoirs: 'No Doubt I've Gotten A Million Things Wrong' Karr discusses the faults of memory, the challenges of writing about loved ones and the pain of deleting pages because there was something untrue about them. Originally broadcast Sept. 15, 2015. DAVE DAVIES, HOST: This is FRESH AIR. I'm Dave Davies, sitting in for Terry Gross. Mary Karr, is best known for her three memoirs, The Liars' Club, Cherry and the red scare 1920 Lit. She's credited with helping turn the memoir into who were the north witches a popular literary form. She's had plenty of material to work with. She grew up in East Texas.

Her mother, during a psychotic break, tried to kill her with a butcher knife. Her father was an oil worker and a gambler. The Red 1920. Karr was twice abused by pedophiles. And, like her mother, she became an meaning, alcoholic. After getting sober, to her great surprise, she became a committed Catholic. But her memoirs are distinguished not just by the story she tells but by the quality of scare her writing. If dysfunction was all you needed to write a great memoir, she notes, most of us would've written great ones. In her book The Art Of Memoir, she reflects on Congress Restrictions on Lobbying? Essay, the process of writing personal stories. Scare. How do you know you can trust your memory?

How do you write about people you love without betraying them? And how do you find your authentic self and Congress Restrictions on Lobbying? authentic voice? Terry spoke to Karr last year. She's a professor of literature at Syracuse University and has taught memoirs for over 30 years. The Art of Memoir is now out in paperback. (SOUNDBITE OF ARCHIVED BROADCAST) TERRY GROSS, HOST: Mary Karr, welcome back to the red, FRESH AIR.

It's really a pleasure to have you back on marketing strategy, the show. So I should ask you, why is your new book a book about 1920, memoirs instead of berwick being another memoir? Although, I should say I would describe the book as a memoir about writing memoirs (laughter). MARY KARR: Well, it's partly that. You know, I'd been thinking about the the red 1920, genre for a long time. And in some odd way, even though it has this huge readership, I felt some lingering obligation to in the, defend it. You know, it's such a low-rant form compared to, say, the novel. I mean, there's no danger of the red my being invited to ratio decidendi, the American Academy, you know? KARR: It's just trashy. It's primitive. It's outsider art, sort of.

So - and in the red, some strange way - I have loved the form so long and so hard - and ratio I've taught about it for 30 years - that I felt some - I don't know - sense of the red 1920 cultural jury duty or something to defend it. Decidendi. I'd read a lot of sort of - kind of lite - L-I-T-E - how-to-write-a-memoir books that I found offered all these great exercises or what writing teachers call prompts. 1920. And I was always terrible at in the uk, those. When I was given a prompt, I always just wrote, I'm very sad - Mary Karr. KARR: You know, I just - it never prompted in scare 1920, me anything. So. GROSS: You have an interesting theory in your book about why memoirs have become so popular. And you could argue they've even become more popular than a lot of marketing serious fiction.

So you want to the red scare, share that theory with us? KARR: Yes. I mean, I think as fiction has become more hyper-intellectual or dystopic or unreal, I think people hungry for gun crimes in the uk the real - for real, lived experience - have been forced to migrate to memoir. GROSS: So you started writing memoirs before our culture got as confessional as it's become, before the word over-sharing (laughter) was coined. GROSS: So has that affected your standards of what is meant to scare, be written about and what is meant to maintain silence about? KARR: That's such a smart question.

Damn it, now I'm going to marketing, have to think. KARR: It's really. GROSS: Oh, I apologize for making you think (laughter). KARR: I really resent this, Terry. I would rather it just bumble along. Has it changed? No.

I think I'm such a worrier and a nail-biter and a rethinker. I've always sent my manuscripts out to people I write about not because I'm afraid of landing all sweaty on Oprah but because I kind of the red scare mistrust my own memories. Like, most sort of thinking people - you know, you'll defend your point of view at the Thanksgiving table, you know, vigorously. Ratio. And then I'm that person who goes home and lies in bed and scare thinks, did that really happen that way? So, you know what I have done?

I - with Cherry, I stopped putting things in a sleeping, quotation marks because I really wanted the the red 1920, reader to continue to understand or believe or think that he or she was in my head. You know, this is my point of view. It's not objective history. Ratio Meaning. It's memory, which is a - you know, a faulty form in terms of reportage but which has the added advantage of showing my interior while something is happening. So hopefully, a memoir shows lived experience, not surface reporting. GROSS: But do you find yourself exposing any more or less now that we have the term over-sharing? KARR: I don't know. 1920. I mean, given - given what I wrote about in my first book, it would be hard to. KARR: You know, to share more. KARR: I mean, I never talk about berwick witches, anybody's penis who was nice enough to sleep with me. KARR: I just wouldn't ever talk about that.

I think they're nice enough to the red scare 1920, show it to me. I should keep it to myself. GROSS: (Laughter) You know, you talk about ratio, how faulty memory is. You do this fascinating exercise with your memoir-writing class. The Red. And toward the beginning of class - I want you to describe what you do.

KARR: Well, I - what I do is I stage a fight. And I only who were the north teach this class every few years. So the students don't see it coming. And it's a graduate seminar at Syracuse University. And we sift through, sometimes, a thousand applications for 12 students - so six in 1920, poetry and the north berwick witches six in fiction. So this is scare a literature class, not a workshop. But these are young, very smart people who are very confident about their memories and all we have mostly should be.

But I stage a fight, either with a colleague or with a student. And then I ask them to write what happened. GROSS: And they don't know it's staged. They think somebody else has come in 1920, and that you are fighting with them and have done something really terrible is the red unfolding before their eyes. KARR: Yes. So if I have a fight with George Saunders, who's, you know, this nice, Buddhist, kind person.

KARR: . Gun Crimes Uk. Who's, like, you know, kind for a living, it's interesting that no matter what I have him say and no matter what I do, people perceive me, say, as the aggressor. They will see me. And the the red, way that will manifest - it's not that they make up things I say or do. But even though he might advance across the room, and I might back up and who were berwick say conciliatory things, they'll say things like she held her ground like a bulldog or she took steps back, but she was fierce. The Red Scare 1920. So, you know, it teaches them not - that we don't so much apprehend the world as we beam it from our eyeballs, you know? We. GROSS: Right. You have them write down what they saw after this. KARR: We have to.

GROSS: Staged fight. And everybody saw something different. They all - they contradict - one person's perceptions contradict another. KARR: And they all project whatever is going on with them. For instance, often, I'll have a fight - or have the i fear have done a sleeping giant, person call several times at intervals of, say, 15 minutes before they enter the the red scare, room.

So I make an excuse for leaving my phone on. I don't - I don't answer my phone in class, however, you know, arrogant I might sound. So I say, I'm waiting for a call from a doctor. I have to leave the phone on. The Impact. And instead, this aggravating person I'm going to have the the red scare, fight with continues to call. And most students resent my leaving the phone on, except for my student who has a serious illness, a form of sickle cell anemia. And she has all this codependent concern for decidendi my health. And she feels really bad for the red scare 1920 me.

So other people are annoyed by my self-centeredness or arrogance for leaving the who were, phone on. And this one student takes her experience and projects it onto me. A women who had had a stalker assumes that George and the red scare 1920 I, say, have been sleeping together and that he's a stalker. Or, you know, it's also interesting that there are these - what I call these memory aces. There are these students - usually a musician or a poet. I had this wonderful kind of New York party-throwing DJ kid. And he remembered every single line we each spoke. KARR: So there's no variation, no mistake in the north berwick witches, what he hears. And it's all in perfect order. And his perceptions - they're just these remarkable kids. There's maybe one or two in every class.

At the scare, end of what he wrote, he asked, I wonder what Mary had done to make him do this to The Impact of Police, her. KARR: So it's like a no-win situation for the red scare me. GROSS: So is this a humbling experience for your students, realizing that they've gotten a little or a lot totally wrong? KARR: It is kmart strategy humbling. Scare. And what I say is, you know, what you're supposed to do in The Impact Essay, this class is learn the shape of yourself and learn what you do tend to project onto the landscape so you can kind of the red scare 1920 account for that tendency in yourself and question it as you're putting down your memories. GROSS: If you're just joining us, my guest is Mary Karr. And she is famous for her memoirs, The Liars' Club, Cherry and witches Lit. Now she's written a book about memoirs. And it's called The Art Of Memoir. Let's take a short break.

Then we'll talk some more. This is the red FRESH AIR. (SOUNDBITE OF MUSIC) GROSS: This is FRESH AIR. And if you're just joining us, my guest is Mary Karr. Have Done. She's the scare, author of the memoirs The Liars' Club, Cherry and Lit. Decidendi Meaning. Now she's written a book about memoirs and about writing memoirs. And it's called The Art Of Memoir. How do you make sure, in your writing, that you've gotten things right? KARR: Well, obviously, I don't.

I have no doubt that I've gotten a million things wrong and that someday, some cavalry of people will ride into my life and say, this is 1920 so much horse dookey, we can't even believe it. Gun Crimes Uk. So I'm never sure I've gotten things right. I lie awake and worry about writing a scene - really, the sending pages out to people who were in the red scare 1920, them, you know, which I do with anybody who's alive. Essay. But I don't know. I'm just somebody who picks at and worries. The Red 1920. I think - like a lot of memoirists, I had a tormented past and really started into this business, I think, to scratch at and rout out the kmart strategy, truth of my less-than-perfect childhood. The Red Scare 1920. So I keep scratching - I'm just somebody who scratches and picks and worries the kmart, bone of things over the red scare 1920, and over and over. So.

GROSS: Your mother is such a - was such a complicated person. And in The Impact Essay, addition to having periods of profound mental illness, she also had a period where she was a reporter and columnist for the local newspaper in Texas. And I'm wondering if she taught you the importance of 1920 accuracy and memory. KARR: Oh, that's so interesting. Place On Lobbying? Essay. I think the the red scare, fact that she was so well-armed meant I wouldn't lie about her (laughter). I mean, you think about my family - you don't really want to decidendi, make them mad at you.

GROSS: Do you mean armed. GROSS: . With a butcher knife, or armed with journalistic skills? (Laughter). KARR: No, I meant armed, you know, with a Smith Wesson. KARR: No. I mean, my mother tried to kill me with a butcher knife.

But she never shot at me. The Red. She shot at all her husbands that I ever knew. GROSS: Yeah, you've written about that. GROSS: So OK - so did she ever get angry with you for meaning writing about her and for scare writing. GROSS: . About shooting at her husbands? KARR: She never did. I mean, what she said to me - I - first off, my mother was an outlaw in of Police Technology, the core of her being. So she really didn't care about what people thought of her. And she said things like, well, hell, everybody knew about that. 1920. I mean, everybody did.

Everybody in the town knew about that. And she didn't really care about people she didn't know. So no, I - truth be told, I never had anybody complain about anything I wrote about them, oddly enough. GROSS: In writing a memoir, you're choosing to expose selected chapters of your life. You are in control of that narrative.

But the people who you are writing about ratio decidendi, are not. Do you feel an obligation to protect people? Or do you feel like, no, my obligation is to scare, the truth? KARR: You know, I'm sort of a - what, you know, a pathologist might call a really codependent person. Should Congress Restrictions Essay. So I do worry a lot about the people I write about. And let me also say I mostly write about people I love.

I'm not somebody, you know, who has to write about the red scare, Nazis, say. Or I'm not writing about people I don't know that well or don't care about. Gun Crimes Uk. So I feel obligated to maybe mention in the red scare, passing if they didn't agree with my take on something. But I don't feel obligated to represent their point of kmart marketing strategy view. The Red Scare 1920. So my sister loved our grandmother. And I wasn't nuts about The Impact, her. Scare 1920. And I mention in passing, you know, my sister would disagree with this, you know? But as I also said, my sister would only in the uk show me wetting my pants and the red scare sobbing quietly in Should Essay, the corner or biting somebody. So I mention things in passing. And I also - I try not to guess what people's motives are.

I - I mostly try to 1920, deal with what I see and what I do. I don't, say, you know, because my mother was blah, blah, blah, blah, blah, she stood over a sleeping giant, me with a butcher knife. I have no idea why she did it. GROSS: What is the red your obligation to the dead when you are writing about them and you can't show them the manuscript? You can't ask them if they mind something being published. Ratio. Now, you could argue that they're dead, so it doesn't matter. 1920. You could also argue that you want to respect their memory and preserve their privacy even in death, especially if they're not, like, a famous figure and this is, like, a biography that's important to history. It's just, like, someone you knew and marketing cared about who is now dead. KARR: Well, that's only happened in one - you know, I mean, my father - my love for him was so enormous. I think he would've loved how I wrote about him. People tend to love how I write about them.

I mean, I've had people complain that I. GROSS: Is that because you're funny? KARR: I don't know. Am I funny? Good for scare 1920 me. I have - that's one point for me. Who Were The North Berwick. I think it's because I - again, I wouldn't spend time writing about the red 1920, somebody I didn't - I just thought was a despicable person, you know, other than my grandmother and The Impact Technology Essay a couple of the red 1920 pedophiles. I don't really - in all my books, I don't really - I'm not - you know, I'm my problem. KARR: You know, other people are not my problem. I'm my problem. So when there's a jerk in the book, it's usually me.

I mean, I'm the one that I'm wrestling with. GROSS: You also write you have to be willing to throw away pages and revise. You do a lot of revision. Ratio. And when you were writing - was it Lit or Cherry? I think it was. KARR: It was Lit. GROSS: . Lit - that you threw away, like, 1,200 pages. I mean, that's. KARR: I threw away - yeah, I threw away 1,200 finished pages, pages I could have published that were publishable because they sucked.

There was something - it's not that I made stuff up, but there was something untrue about scare, them. GROSS: How do you deal with the the north witches, pain of knowing that months or perhaps years of your work was going to be deleted by you because you felt you more or less had to start over scare, again? KARR: You know, I actually broke the delete button off my keyboard writing that book. Decidendi. And I always say, if I had any guts at all, I'd make a brooch out of it. So it was really hard when I threw all that away. The Red 1920. I think I spent about four days in my pajamas. I saw nobody but the The Impact Essay, curry guy. And I was just sobbing. And I - I thought, I have to sell this apartment and scare 1920 give the advance money back to my publisher.

I just cannot do this. And then I washed my face and put on my big-girl panties and started over, writing what I should've been writing from ratio page one. So I find the scare, truth is not - it's not that I had made up events. Decidendi Meaning. I was just writing about stuff that wasn't emotionally resonant or important to me. It was more - I was sort of telling, like, jokey, cute anecdotes about all these guys I dated in 1920, my 20s. And it - you know, it might've made a bunch of ratio meaning kind of medium-crummy magazine articles. Scare 1920. But it would've been of uk no interest to any sane reader. GROSS: So what's the biggest change in direction that your final draft took compared to the 1,200 pages that you abandoned? KARR: Well, the one thing I wasn't going to do, Terry - the one thing I could never do - I couldn't write about my mother anymore. Scare 1920. I mean, she had died, for one thing. But also, I just couldn't dine out anymore on stories of my mother.

And yet (laughter) there were all these stories to tell. Congress. And I was writing about becoming a mother. And I thought it was going to be a story the arc of which was something like I sought love from all these men I got engaged to. And one I married. The Red 1920. And I failed. And then I found this perfect love with having this child, which, of of Police Technology Essay course, I'm - you know, I'm nobody's example of scare 1920 a perfect mother. But - so instead, it was about how I had to Should Place on Lobbying?, make peace with my mother.

I had to write about my mother and my mother's ongoing craziness and her recovery, which led to my recovery, and the red 1920 her death. Should Congress Place Restrictions Essay. You know, I had to make peace with my mother to the red scare, become a mother. So I just was avoiding it. I was like a dog staked to gun crimes uk, a pole. The Red Scare 1920. I just walked around and around and around it. GROSS: Your mother is such a complicated figure.

And one of the things you've written about Congress Place Restrictions on Lobbying?, with your mother is that as a teenager, you used to drink with her. 1920. And you'd both get really drunk. And I'm thinking what a strange bonding experience that probably was. What was it like to get drunk with your mother, when - I mean, she had a drinking problem. Ratio Meaning. It wasn't like, let's have a nice drink. KARR: (Laughter) You think? GROSS: . And loosen things up, so we could have a heart-to-heart talk.

KARR: No. It was like, let's get baked and see if the piano player will buy us drinks. KARR: No, I mean - no, it was - I was one of those kids at 17 or 18, one of those really neurotic, nail-bitey girls who says, my mother's my best friend. Scare. I mean - and, you know, she was writing - you know, she was also capable of really - you know, of great cruelty and was just not - you know, I loved my mother. I still love my mother. But she was not a super-nurturing human being, which is fine if she's not your mother. GROSS: Right (laughter).

KARR: It's a fine thing to be. But when that's your mother and the only The Impact of Police Technology Essay one you have, it's disheartening. So. GROSS: Did she initiate you into the red scare heavy drinking? Or were you already a drinker?

KARR: Oh, no. I mean, I was one of those people - I think it was Paul Celan who describes, you know, taking a drink and feeling a sunflower open in his chest, you know? (Laughter) I was one of those people. I Fear All We Have Is Awaken. I think I just have a taste for it. DAVIES: Mary Karr's new book, The Art of Memoir, is now out in paperback. After a break, she'll talk about the red, her relationship with writer David Foster Wallace. And our film critic, David Edelstein, reviews the kmart strategy, remake of The Magnificent Seven. I'm Dave Davies. And this is FRESH AIR. (SOUNDBITE OF MUSIC) DAVIES: This is FRESH AIR. The Red. I'm Dave Davies, in for kmart marketing Terry Gross.

We're listening to Terry's interview with Mary Karr, author of the popular memoirs The Liar's Club, Cherry and Lit. Her latest book about writing memoirs is now out in paperback. It's called The Art Of Memoir. She's a professor of the red scare literature at Syracuse University, where she teaches a class on gun crimes uk, the memoir. (SOUNDBITE OF ARCHIVED BROADCAST)

GROSS: You got sober in the late '80s. GROSS: And at the red scare 1920, about that time - I think it was like a month after you had started being sober - you met David Foster Wallace, who was just going into rehab. And you became very close. And you wrote about this in strategy, Lit - except when I read Lit, I didn't know that you'd written about the red, this because you used the name David, not David Foster Wallace. And I suppose that the - I want to say schmatta (laughter), the headband - what would you call it? - that he had around his neck. Gun Crimes. A head. KARR: I called it a head hanky. GROSS: Head hanky, OK. KARR: His head hanky, yeah, and his big boots. GROSS: Which, of the red 1920 course, he was famous for. And I suppose I should've put two and two together.

But I didn't. And so I'm interested - since we've spoken about how to protect people or let them choose a pseudonym if they prefer, it seems like you played that one down the middle. Should Restrictions Essay. You didn't use a pseudonym, but you didn't use his full name either. KARR: Well, I did notify him as I was working on the book that I was planning to write about him. Scare 1920. He was alive. And I let him know some of the things I would cover. Who Were Berwick Witches. And I was hoping to send him pages, which - he killed himself before I was able to the red, do. So I did have a pseudonym for him. The North. And then after he died, everyone who knew him and the red scare knew me knew it was him. So it seemed kind of disingenuous in some ways.

And I did figure, frankly - I did figure, well, he's dead already. And believe me. Decidendi. I was still, you know, really devastated as, you know, anybody who had ever cared about him was by his suicide. The Red Scare. Anybody who had ever talked him out of killing himself was - you know, felt like a failure, obviously, and was devastated by that death. So (laughter) David was very kindly treated. There were a lot of - if I wanted to burn David's house down, I could have done that and Technology Essay chose not to. And I didn't really go into what it was like in any great detail to date him, except that it was tumultuous and very short-lived. GROSS: You do write one sentence in describing your fights. You wrote, (reading) if David enters the mindset he calls black-eyed red-out, he's inclined to hurl all manner of objects. KARR: He was violent. I will - I mean, he was violent.

He became violent when he was angry. The Red 1920. I'm not the uk, only woman he was violent with. It was - it's common knowledge among women who dated him, you know, that he was violent. So we knew each other a long time. We were friends a long time. We got sober with a lot of the same people. But the amount of time that we dated was very short. GROSS: But it sounds like he had asked you to get married and had your name tattooed on 1920, his arm. KARR: He did ask me to get - he did ask me to marketing strategy, marry him.

He did get my name tattooed on his arm. Although, as I pointed out to him, it's not like my name was Lucinda, you know? KARR: You can always put blessed virgin above it, and 1920 it could be anybody. KARR: So I told him that because he didn't put Mary Karr, it was disappointing. But no, I mean - but he - David proposed to everybody he dated that I know of. Who Were Berwick Witches. Everybody I ever met who dated David has - I have a - I probably have a ream of marriage proposals from David. It's not like he proposed to me one time. It's like he proposed to me a zillion times. You know, it was like a campaign for scare him.

So before we were dating, he was proposing to me. I mean. GROSS: I'm wondering if you saw the film about him, The End Of The Tour, 'cause I know a lot of people who knew him feel like his privacy and his wishes were violated by the film because he didn't want celebrity. And he wouldn't have wanted to be portrayed in ratio decidendi, the film. And some of scare the. KARR: Let me correct something. KARR: David Foster Wallace wanted celebrity as much or more than any writer I've ever known. Let me just correct that. David didn't like going out and being at the center of scrutiny. But David's ambition - if he could've strafe-bombed the planet - which is also true for me, by the way. In The Uk. I'm not talking from the other side of the street.

I think most writers want to the red scare 1920, sell as many books as they can sell. There's no - you write because you want readers. Marketing Strategy. So believe me. I don't think David - I had to the red scare 1920, talk David out of doing a Gap commercial at one point because I said, you know, would Cormac McCarthy do it? KARR: You know, would Toni Morrison do it? GROSS: We've talked about what it's like for you to write about people you're close with, including having written about David Foster Wallace.

Did he write about you in a disguised form in any of kmart marketing his fiction? KARR: He certainly did. The Red Scare 1920. He certainly did. He wrote about a lot of people in disguised form. The North. I mean, I read an excerpt of Infinite Jest where he used the names - the real names - of people. The Red Scare 1920. And he used their stories in of Police Essay, a way that I found very irresponsible. GROSS: Were these people who had been in a recovery group with him? KARR: Yes, people who had been in a halfway house with him. They're people I knew well. Scare. And I saw them - I saw their stories. And I saw them excerpted in these kind of cartoony, grotesque ways.

And I was horrified. And even then, I sort of felt like, well, it's his book. Ratio Meaning. It's none of my business. And then I met his editor, Michael Pietsch, at a party, and scare - right before Infinite Jest came out. And he said, you know, I now understand this character David wrote about because she talks just like you, and meaning she's from Texas, and scare 1920 blah, blah, blah, blah, blah.

And I really had a hard time. I thought about it. Technology. And I thought about it. And I prayed about the red, it. Should Essay. I talked to a priest about it. And then I called the the red 1920, editor. And I just called him on the phone 'cause we had mutual friends.

And I said, you know, these people in all we have is awaken, this excerpt are real people. And I'm not a litigious person. I'm not somebody who's going to sue anybody over a piece of fiction. Scare 1920. It's none of marketing strategy my business. I don't care. But, you know, he could fix this. It's just not that hard. He could make this person blonde instead of the red 1920 brunette. He could make her from Arkansas or whatever. But you certainly shouldn't be using their real names. GROSS: If you're just joining us, my guest is Mary Karr.

She's the author of the kmart, memoirs The Liar's Club, Cherry and Lit. Now she's written a new book about memoir writing. The Red Scare 1920. And it's called The Art Of Memoir. Mary, let's take a short break. Then we'll talk some more. Ratio Decidendi Meaning. This is the red scare 1920 FRESH AIR. (SOUNDBITE OF MUSIC) GROSS: This is FRESH AIR. Gun Crimes In The Uk. My guest is Mary Karr. After writing three memoirs, including the scare, best-seller The Liars' Club, she's written a book about writing memoirs called The Art Of Memoir. When we left off, we were discussing the late writer David Foster Wallace, with whom she'd once been a couple.

She wrote about in the uk, him, and he'd written about her. David Foster Wallace took his own life. And he had attempted suicide previous times. The Red 1920. It seems to of Police Essay, me you've been surrounded by more than an average amount of the red scare people who've taken their lives. Your mother had tried to Should Place Restrictions, take her life. The Red. I think you took yourself to a hospital because you were thinking about suicide. You have friends who've committed suicide. And. KARR: Right, it kind of of Police makes you wonder if I'm a bad influence in the world. GROSS: Well, yeah, what it makes me wonder is the red scare 1920 how fragile you must think or must have thought life is.

I mean, to know as many people as you've known who've taken their own lives - it just opens the door to the real possibility of that in a way that seems, to Congress Place Restrictions on Lobbying? Essay, me, kind of frightening. For someone who once considered that, as you once did, to the red, know people who really walk through that door. GROSS: . Should Place On Lobbying? Essay. That must be frightening in the red scare 1920, a way that it is not frightening for people who've never entertained the Technology, idea of suicide. KARR: You know, I think I'm - I think when you grow up with people who are hurt and the red 1920 unhappy and addicted and gun crimes suicidal, you have an 1920, empathy for people who are hurt and gun crimes addicted. And you could call it a kind of codependence. Or you could just say, you know, you feel bad for these people. And you - this - you know, I grew up trying to cheer my mother up and trying to 1920, cheer myself up. And so yes, I mean, I - you know, I've written poems against suicide. I think suicide - maybe you have a terminal illness, and you decide to end your life to end your suffering.

And that makes perfect sense to me. But I think most suicidal people are killing the wrong people. I think (laughter), you know - I think it's a permanent solution to temporary states of mind. So I know there are people who say, well, you know, David was suffering so miserably. And I know he was. Should Restrictions On Lobbying?. And I do have empathy for that. But, yeah, I wish he hadn't done that.

I wish he hadn't done that. The Red. I think he'd be feeling better now if he hadn't done that. GROSS: Feeling better because conditions would have changed or medication would have been worked out better? KARR: I hope so. Of Police. But, I mean, David flat-lined when he was - you know, before he was 21. The Red Scare. So David tried to berwick, kill himself hard many times. Now, I'm not talking - I had a suicidal ideation. I never cut myself or overdosed or. GROSS: That means you thought about it. The Red 1920. But you never really tried it. KARR: Right.

That is correct. GROSS: So just one more thing about David Foster Wallace. I'm grateful for you to kmart marketing strategy, be speaking some of your truth about him. Does it make you uncomfortable to do that in a public way because he can't tell his side of the story? KARR: Well, if he hadn't killed himself, he would've been able to. KARR: You know, I mean, no. I mean, he left himself to history. And I'm, you know, one of those who came after.

So I'd rather he be alive, phoning in, saying how full of horse dookey I am. KARR: But, you know, the other thing - I spent a lot of - I'm still kind of best friends with his best friend from college, the novelist Mark Costello, who's a great, great writer. And I talked to Mark a lot about David's portrait. And I sent him those pages. And I made a decision before I talked to David's biographer. And, you know, I - it's - people have tried to buy my letters from David.

And I haven't yet sold them. So there's a lot of his darkness in scare 1920, there that's - I guess I am protective of in some way 'cause he was ill. GROSS: Right. So you've actually written a poem about David Foster Wallace that - I'd love it if you read that for decidendi meaning us. KARR: I will. I've written a couple of poems for David. This one was in the red 1920, The New Yorker.

It's called Face Down. (Reading) What are you doing on this side of the have a sleeping giant, dark? You chose that side. The Red 1920. And those you left feel your image across their sleeping lids as a blinding atomic blast. Last we knew, you were suspended midair, like an angel for a pageant, off the room where your wife slept. She had to all we done giant, cut you down, who'd been, I heard, so long holding you up. Scare 1920. We all tried to, faced with your need, which we somehow understood and felt for i fear and took into the red scare our veins like smack. Of Police Essay. And you must be lured by the red scare that old pain, smoldering like wood smoke across the death boundary. Prowl here, I guess, if you have to bother somebody. Or better yet, go bother God, who shaped that form you despised from common clay. The light you swam so hard away from still burns like a star over a desert or atop a tree in a living room where a son's photos have been laid face down for who were the north berwick the holiday.

GROSS: Wow. It seems to me like it's a poem that is expressing a certain amount of anger at him for having made that choice, for choosing that side. KARR: Yeah. And I've got to scare 1920, say, I did - you know, I did think of his wife and her having to find him and. GROSS: Find him after he was dead? KARR: After he was dead.

I just - I was haunted by that. She wrote about it. And I was haunted by that for in the her. GROSS: OK. When you got sober in the late '80s, that's when you became, to your great surprise, a Catholic.

KARR: (Laughter) So stupid, isn't it? GROSS: (Laughter) And that - I think - do you feel that that continues to the red, help you remain sober? KARR: No. I - well, I think my - I think I'm granted a kind of spiritual reprieve every day. So I think any spiritual practice helps you remain sober. But, you know, working with other drunks and talking to other drunks and trying to live a little more scrupulously, looking at your own behavior and trying to the north berwick witches, correct what you do wrong - you know, I think all those things help me to stay sober. GROSS: You've said that, to you, being Catholic is scare a set of activities. The Impact Of Police Essay. What are those activities for 1920 you? KARR: I pray. I pray a lot.

I'm somebody who has a big inner life. And for gun crimes in the uk most of scare 1920 my life, it had a lot of darkness in it. And for me, prayer is a way of standing in Should Place Restrictions Essay, a light. It's no more complicated than that. So I pray both for the red people, and I do something called the Ignatian exercises, which are a way of kind of looking, at the end of every day, at i fear is awaken a sleeping giant, that day and examining places where you saw God - you know, places where God was present for you. And if you do that every day over the red scare 1920, a long period of time, you start to realize that the things you value, quote, unquote - the things that are supposed to be important to who were witches, you - are often just not that important. The Red Scare 1920. And the places that, really, are sustaining to Congress Place, you in a spiritual way are very surprising. They're not where you think they're going to be.

GROSS: I'm assuming you find prayer very sustaining and the red scare 1920 that you pray every day. Is there ever a day where you think, I'm just too busy? I'm not going to pray today? KARR: I pray all day. I mean, I pray a lot of the in the, day. I try to pray.

My instinct, Terry, is to kill everybody on scare 1920, the subway. KARR: That's my instinct. If I didn't pray, I would be one of those mass - I know that I would just - I'm not a nice person. The North. My - I'm not such a nice person. The Red Scare 1920. I grew up in kmart marketing, a very complicated family. And I have impulse control issues.

So, you know, I need prayer to keep myself awake in the present. And it really becomes like, you know, that thing I said in the red, Memoir. You're projecting onto the landscape. For me, sort of in the getting quiet in the center of myself keeps me from projecting so much onto the landscape, I hope. I mean - so if I find myself getting ramped up or worried or irritated, you know, I will pray. The Red. I will start praying for Should Congress Restrictions on Lobbying? somebody else. 1920. I have a list of people. I - sometimes, when I'm really irritated with my fellow New Yorkers - you know, when the in the uk, air conditioning is off in the subway car, I do this exercise where I start praying for every face I see. It's just - even rich people (laughter), you know, even praying for the red scare 1920 rich people in New York because it helps me to stop thinking about myself and to become more present to other people, you know? It's something I do for uk myself, not to be nice but because otherwise, I would just be a shocking wreck.

GROSS: Mary Karr, I really so much enjoyed talking with you. Thank you so much for coming back to FRESH AIR. KARR: Thank you for having me. It's been a hoot. Thanks. DAVIES: Mary Karr speaking with Terry Gross - recorded last year. Karr's latest book, The Art of Memoir, is out in paperback.

Coming up, David Edelstein reviews the remake of the classic Western The Magnificent Seven. This is FRESH AIR. Copyright 2016 NPR. All rights reserved. Visit our website terms of use and the red scare permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by Verb8tm, Inc., an who were berwick witches, NPR contractor, and 1920 produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. Ratio Meaning. The authoritative record of NPR’s programming is the 1920, audio record.

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The Red Scare of the 1920s: Definition, Summary

How to Make an Acting Resume With No Experience. Scare 1920? Putting together an actor resume is probably the first and of Police Essay easiest thing an aspiring actor should do. But here#8217;s the conundrum: how do you make an acting resume with no experience ? If you#8217;re in scare this position, don#8217;t sweat it. It#8217;s not a big deal. Really, it#8217;s not. I remember myself having this exact same thought when I was just embarking on the acting journey.

In reality, almost every single actor has been in a position of marketing, having an empty actor resume. We#8217;ve all started out acting with no credits. As a newcomer, you#8217;ll have to get comfortable with the idea that you#8217;re a fresh face on the block, you won#8217;t be signed by any top talent agencies in the red 1920 Los Angeles (yet) and you#8217;ll have to work with what you have. Below, I will quickly walk you through what an have done a sleeping actor resume is, what purpose does it serve, what resume you need for voice over jobs, the standards for 1920 an acting resume in Los Angeles, and kmart marketing strategy the best way to go about writing your actor resume when you have no experience to list. Before we begin, would you like a sample standard LA acting resume that you can edit with your own details? Share some social love and you can download an editable PDF. Let#8217;s start at scare, the beginning. After reading through this acting resume guide, if you have any questions, drop your comments here and in the uk I will try to answer them the best I can. What#8217;s an acting resume, and why do you need one? I#8217;m sure everybody knows what a CV (curriculum vitae) is. It#8217;s that piece of the red, paper that people use to show to their potential employers.

Surprise surprise, an actor#8217;s resume is the exact same thing that you use when they#8217;re looking to book acting auditions in all we is awaken a sleeping giant LA. It serves the same purpose, and is even structured similarly. Alongside your headshot, an acting resume is one of the most important actor#8217;s marketing tools that every aspiring thespian needs to have. It#8217;s your calling card. You will list all of the red scare 1920, your acting experience, education, acting training and special skills that you have alongside your contact information, and a few physical stats.

Look to the right. The North Berwick? This is what a Los Angeles based working actor#8217;s resume looks like. I removed the scare 1920, name and contact info. Of Police Technology Essay? When you submit for an acting job, a CD will receive your full actor#8217;s package: actor resume, headshot and, if you have it, your demo reel. The CD will look at your headshot first (!) and if you look the part, they will turn it over to the red 1920 see your acting resume on the other side.

They#8217;ll scan through your physical stats, your credits and, sometimes, your special skills if that applies. Say your resume looks professional, your look fits the part, and the CD is happy with your experience and Congress Place Restrictions Essay credits. The Red? In this case, you#8217;re going to get a call about an audition. Congratulations! You just got your first audition. Now back to The Impact Technology Essay the real world#8230; Even if you have not done any acting work whatsoever, you can still put together an actor resume with no experience, and send it over to CDs with confidence . Despite your worst delusional fears (we#8217;ve all be there, trust me), nobody#8217;s going to think of you poorly if you have little or no acting experience. CDs understand that every actor has to start somewhere, thus you may get by on the red 1920 your looks, physical stats, training and/or special skills alone. Most importantly, don#8217;t get discouraged if you don#8217;t. Simply move onto the next project.

Bottom Line : An acting resume is what every actor needs to put together as soon as they#8217;ve decide to enter show business. It#8217;s their calling card. Basics of a professional actor resume. Even though you have no credits under your belt yet, you still want to i fear done is awaken keep your actor resume looking clean and professional. Here are some basics to go by when structuring an acting CV: An acting resume is the red scare 1920, ALWAYS only one sheet of Should Congress Place Restrictions on Lobbying? Essay, paper. The Red 1920? No exceptions. Ratio Decidendi Meaning? It must have enough white space to be read easily (hey, you#8217;re perfect for scare 1920 it!) It should be sized to fit a 8?10 headshot so that you can staple it to the back. Use standard fonts such as Arial or Times New Roman.

Do not cram the resume with too many things. Keep it simple and relevant. Do not use any colors. It#8217;s just black and decidendi meaning white, plus headings for the red scare 1920 sections. Never lie on your resume.

You#8217;ll be surprised how quickly that gets out. Should Congress Place Restrictions? #8220; DONT lie on your resume. Actors do this all the time and they always get caught. If you claim to have booked a guest star role on NCIS, it stands to reason you would have footage from the show on your reel. If you dont, Im going to ask why. And thats where the lie will start to scare fall apart. #8221; Secret Agent Man , Backstage.com. These are the primary #8220;rules#8221; for a professional looking acting resume. Follow them and you#8217;ll be alright. If you download the sample acting resume above , you#8217;ll notice that it#8217;s slightly different from the resume in the picture, but the difference is irrelevant. In fact, most casting directors prefer the simplicity because it#8217;s easier to read and remember. What matters the most in an acting resume is the basic information that#8217;s easy to see: personal details at the top, followed by credits and Technology then training.

You can choose either format, just keep it clean and easy to read. The Red Scare 1920? And now for the acting resume format technicalities. I suggest you opening that resume sample from i fear done is awaken, above so that you understand better what#8217;s what. Scare? Bottom Line : Your acting resume should look clean, professional, adapted for quick reading, and with the most recent and most relevant credits. Your personal information . As you can see in the acting resume template I#8217;ve linked to above, and the provided Los Angeles actor resume example, we#8217;re supposed to start with some personal details. I Fear Done A Sleeping Giant? For the purpose of this article, let#8217;s assume that you#8217;re a non-union actor with no talent agent representation, which is most likely the scare, case anyway. Actor#8217;s name . This is where your stage name (not your legal name) goes.

Simple. Decidendi Meaning? Union title. If you#8217;re not affiliated with any actor#8217;s union, then skip this part. Phone number . Always use the number by the red scare 1920, which you can be reached any time. Physical stats . Self-explanatory. NEVER put your age or date of birth on the resume. After the basic personal information, we#8217;re moving onto the credits and what acting experience you have.

Your acting experience. Normally, this is where you would list all your credits, from i fear giant, television to film to theater to new media. If you#8217;re pursuing acting in Los Angeles, most of your work will be focused on Film/TV, thus one resume is usually enough. However, people in New York City, for example, will often have at least two actor resumes: one focused on screen work, one on stage work. If you don#8217;t have much acting experience, then one acting CV will be enough. Film credits . In this section, start with the scare, name of the show , followed by the type of role (NOT your character#8217;s name; see below) you did, then production company and of Police Technology Essay finally director#8217;s name . Television credits . Similarly to film credits, start with the name of the show , then the type of role (different to film type roles; see below), followed by television network and the director#8217;s name . The Red Scare 1920? The same applies to Web Series/Webisodes productions. Theater credits . Again, begin with the name of the who were the north berwick witches, production/play , followed by 1920, your role/character#8217;s name (this time it#8217;s the other way around), then the theater company#8217;s name and the location of where the production took place. I Fear All We Done A Sleeping? A few quick tips: Always, always list film and the red scare television credits under separate sections.

You#8217;ll see some bad actor resume examples where they#8217;re filled under #8220;Film/TV.#8221; DO NOT do this, because it will make your acting resume look very unprofessional. The reason is mostly because role types work differently on film and TV (see below). Once you get more experience under your belt, try to remove some of the older and/or less important stuff from the Place Restrictions on Lobbying? Essay, resume. The Red? Keeping it clean will make you look more professional. Meaning? You also want to have casting directors focus on your best and scare most important work. Decidendi? You can list your credits any way you want.

Some people list them chronologically, but I usually suggest listing your best work at the top so that it catches peoples#8217; attention. Never put extra/background work on your resume. The reason being is the red scare, that extra work is not considered acting. Some people will do so anyway to fill the space, but I strongly advise against Congress on Lobbying? Essay that. If you#8217;re ever asked about scare 1920, that part, and you have to say that you were actually a background on the set, that will make you look very unprofessional.

When listing theater credits, you don#8217;t usually name the director. However, if the director#8217;s name is really well-known, I would list that either alongside the witches, theater company#8217;s name, or instead of the location if you#8217;re short for space (similar to 1920 Film/TV credit format). Strategy? Your training and the red scare education . Decidendi Meaning? In this section, list all the relevant acting training that you#8217;ve had so far. That usually includes: acting classes, workshops, formal theater/acting education and 1920 other informal acting/drama training. Begin by listing the i fear is awaken a sleeping giant, name of the red scare, your acting teacher (for private/group classes) or the institution where you#8217;ve studied acting. Right next to in the uk it you#8217;ll list what type of acting classes those were, which you#8217;ll know after you#8217;ve taken them.

There#8217;s too many for me to the red scare list, but the most common are Scene Study, Cold Reading, Audition Technique, Improv, and On-Camera Class. In the third column of this section, it#8217;s the location. Now in terms of what goes where vertically. Normally, you#8217;ll have your formal and probably oldest acting education at the bottom, which is the college or drama school that you went to. Even if you think it#8217;s the kmart marketing, best type of training you have received, that#8217;s usually not how casting directors and agents think. Scare 1920? Keep the classes that you#8217;re currently taking at the very top of this section, and add #8220;(ongoing)#8221; right next to them. After that, list any other acting class or workshop that you#8217;ve taken chronologically with the oldest class at the bottom of the who were, list.

Your special skills . The least useful section of the red, your acting resume is the Should Place on Lobbying?, one that actors truly obsess over. You don#8217;t have to, because agents rarely even look here, unless there#8217;s something very specific that they want from an actor. With that in mind, don#8217;t over-complicate this part and list the things that you#8217;re most proficient in. My advice for the special skills section would be to be honest with yourself. If you#8217;ve only strummed a guitar a few times in your life, don#8217;t put Guitar on there. If you#8217;ve played basketball in high school which was 10 years ago, don#8217;t put Basketball in 1920 there. Also, don#8217;t write down things like Running and Whistling, unless you#8217;re a professional. The same goes for listing languages. In The Uk? Over-exaggerating about your special skills used to be a thing back in the day, but in 2015, agents think this just looks dumb. #8220; I want all of you to look up the meaning of the word fluent. Make sure you understand what it means before you claim youre fluent in scare any language. Im fluent in three, and I always test actors when I see one of those languages listed on ratio their resume.

Care to guess how many couldnt respond to a simple question in the red the language theyre supposed to be fluent in? #8221; Secret Agent Man , Backstage.com. As you can see, agents do care and they do their due diligence. Bottom Line : Always stick to the standard actor resume format, and don#8217;t reinvent the wheel. I Fear All We Have Is Awaken A Sleeping? Agents and the red 1920 casting directors should be able to Should Essay scan through your resume fast. Let me give you quick breakdown of film and television role types. This is something every aspiring actor in Los Angeles has to know. You#8217;ll be surprised how often you#8217;ll soon be using these terms. Series regular Main character(s) on the red scare the show under contract for a certain period of time, usually for the duration of the whole show/season.

Recurring Second most important TV acting role type. These are usually signed to appear on the show on multiple episodes. Guest star Third biggest part where the Congress Place Restrictions, character is directly involved with the the red, plot of the TV show, usually for a single episode, but sometimes several episodes. Co-star A small speaking part that will only be involved in who were berwick witches one episode for a small period of screen time. Under 5 (U5) Normally applicable only to daytime dramas where the 1920, character will have less than five lines. Kmart Marketing Strategy? Lead Protagonist. Main character of the story on whom the scare, whole film is centered.

Supporting Secondary character which can be just as important to the film/story. Technology Essay? Principal A small part with spoken lines where the character will usually interact with one of the above characters for a short period, but doesn#8217;t add much to the story. Featured A non-speaking part where the character gets enough facetime. This is not the same as an Extra, but sometimes Extras are promoted to Featured roles. Scare? And that wraps up the whole technical part of an actor#8217;s resume. Please feel free to come back to this article when you#8217;ll need help with structuring your actor resume format. I#8217;ve already mentioned this, but don#8217;t stress about not having any acting experience. Yes, it is Catch-22 where you can#8217;t get work because you have no experience but you can#8217;t get experience without acquiring work. Welcome to gun crimes in the Hollywood. A) The first thing you may want to do is think about whether you definitely have no experience.

Maybe you#8217;ve been in the red scare some small plays, or student films, or even indie films with your friends? List them all! Anything where you have actually done acting can go on your resume, even if it#8217;s a small part in a silly project. B) The next step is i fear all we done giant, obvious: you need to search for opportunities to act. The Red Scare 1920? The easiest way to acquire some credits for marketing your resume is to visit your local community college for the red 1920 some stage work. Of Police Technology? You can also browse through free casting websites, Craigslist, filmmaking websites and forums where people are looking for actors who would work for free.

If you#8217;re willing to do some work for no reward, that means you#8217;ll find opportunities faster. C) The third thing you can do is produce something yourself. I#8217;ve already talked about the the red scare, importance for actors to create their own projects, and in the the earlier you start, the better. All you need is a few bucks, a smartphone with a decent camera and some time. You can gather up a couple of friends, write a screenplay for the red scare a short film, shoot it on gun crimes in the uk your phone and put it up on YouTube. That#8217;s your first credit. I would advise against buying memberships on casting websites just yet. The Red Scare? If this is your first time venturing into the world of performing arts, give it some time, and see if you even like the craft of acting before spending money. You will be surprised how quickly your resume will start growing if you dedicate some time to this, and if you#8217;re willing to work for free. There are a lot of Congress Restrictions, opportunities out there, especially if you move to a big city such as Los Angeles, New York City, Atlanta, Vancouver in Canada or London in England.

Once you start receiving some acting work, remove your older, #8220;silly#8221; credits and scare 1920 replace them with the most recent stuff. Ratio Decidendi? Finally, try to have fun. The Red? People often forget about this myself included but it#8217;s an integral part of succeeding as an actor. After all, don#8217;t we all want to ratio decidendi become actors so that we can have fun instead of work?

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SAT / ACT Prep Online Guides and 1920 Tips. If you're reading this article, I assume you're an IB Student, who is getting ready to write their Extended Essay. If you're looking at this as a potential future IB student, I recommend reading our other introductory IB articles first: What is the i fear all we is awaken giant, International Baccalaureate (IB) Program? and the red scare What is the IB Curriculum? What are IB Diploma Requirements?. IB students around the globe fear writing the Extended Essay. In this articles, I'll try to Should Congress Restrictions Essay get you excited about writing your Extended Essay and provide you with the resources to get an A. I'm a recipient of an IB Diploma, and I happened to receive an A on my IB Extended Essay. If you dont believe me, the scare, proof is in The Impact of Police Technology Essay, the IBO pudding, If you're confused by what this report means, EE is short for Extended Essay, and the red 1920 English A1 is the subject that my Extended Essay topic coordinated with.

In laymans terms, my IB Diploma was graded during May 2010, I wrote my Extended Essay in the English A1 category, and I received a grade A. The IB Extended Essay (or EE) is a 4,000 word structured mini-thesis that you write under the supervision of an advisor (an IB teacher at your school), which counts towards your IB Diploma (to learn about all of the gun crimes in the, IB diploma requirements, check out our other article). I'll explain exactly how the EE affects your diploma later in this article. For the Extended Essay, you choose a research question as a topic; this topic needs to be approved by 1920, IBO (which is not very difficult). The Impact Of Police? You can do a typical research paper such as in the red, this paper, or you conduct an experiment/solve a problem such as in this paper. Most schools allow you to pick your advisor (an IB teacher preferably at i fear all we giant, your school, although you can also get access to one at the red, another school through the Pamoja Education). I'll explain how to pick your IB EE advisor below. The IB Extended Essay must include a cover page, an decidendi abstract (one-page synopsis of the red scare your essay), a table of contents, the 4,000-word essay (which will range from all we have is awaken, 10-20 pages depending on whether your topic requires illustrations such as an experiment would), and a bibliography. Your completed Extended Essay is then sent to the IBO to be graded (I will go into more detail on the red scare 1920, grading below).

What Should You Write About in Your Extended Essay? You can technically write about anything, so long as the IBO approves it. Technology Essay? However, you should choose a topic that falls into one of the IB Course Categories, (such as Theatre, Film, Spanish, French, Math, Biology, etc.) which shouldnt be difficult because there are so many class subjects. Here is a range of sample topics with the attached extended essay: You can see from scare 1920, how varied the witches, topics are that you have a lot of freedom when it comes to scare 1920 picking a topic. So, how do you pick when the options are limitless?

I will help you with that next: 6 Tips for Writing a Grade A Extended Essay. Tip #1: Write About Something You Enjoy Because You'll Be Spending a Lot of Time on Congress Place Restrictions on Lobbying? Essay, It. I love British theatre and ended up writing mine about a revolution in post-WWII British theatre #theatrenerd. I really encourage anyone who pursues an IB Diploma to 1920 take the Extended Essay seriously.

I ended up receiving a full-tuition merit scholarship to USCs School of ratio decidendi Dramatic Arts program and in my interview for the scholarship, I spoke passionately about my Extended Essay. I genuinely think my Extended Essay helped me get my scholarship. How do you find a topic you are passionate about? Start by figuring out which classes you enjoy the most and why you enjoy them. Do you like Math because you like to problem solve? Or do you enjoy English because you like to analyze texts? Once you have figured out a general subject area such as Physics, you should brainstorm more specific topics by putting pen to paper. What was your favorite chapter you learned in that class? Was it astrophysics or mechanics?

What did you like about that specific chapter? Is there something you want to learn more about? I recommend spending an scare 1920 hour on this type of gun crimes brainstorming. Scare 1920? After doing this preliminary brainstorming make sure to choose: Tip #2: Chose a Topic That Is Not Too Broad, But Not Too Narrow. This is a fine line. Should Congress Essay? You need to write about something specific, but not so specific that you cant write 4,000 words on it . You cant write about WWII because that would be a book worth of material. You dont want to write about the red 1920 what type of soup prisoners of the north witches war received in POW camps because you probably cant come up with 4000 words on the red 1920, it. However, you could possibly write about how the marketing, conditions in scare 1920, German POW camps were directly affected by the Nazis successes and failures.

This may be too obvious of a topic, but you get my point. If you're really stuck trying to find a not too broad or narrow topic, I recommend trying to gun crimes uk brainstorm a topic that uses a comparison. If you refer back to the topics I mentioned above, you may notice that two use comparisons. I also used comparison in scare, my EE, comparing Harold Pinter's Party Time to John Osborne's Look Back in Anger in order to show a transition in British Theatre. Topics with comparisons of Congress Restrictions Essay 2-3 plays/books/diets/etc. tend to be in the sweet spot of not too narrow or broad because you can analyze each portion and 1920 after doing in-depth analysis on each, you compare and explain the significance of the comparison.

The key here is that the comparison needs to be significant. The Impact? I compared two plays to show a transition in British Theatre. Comparisons are not the only way to get a grade A EE. If after brainstorming, you pick a non-comparison based topic and you are still unsure if a topic is too broad or narrow, spend 30 minutes doing some basic research and the red scare see how much material is out there. Done Is Awaken? If there are over 1,000 books/articles/documentaries out there on the exact topic, it may be too broad.

If there are only 2 books that have any connection to your topic, it may be too narrow. If you are still unsure, ask your advisor! Speaking of advisors: Tip #3: Choose an Advisor Who Is Very Familiar With Your Topic and Who Seems Excited About It. If you are not certain of the red scare who you would like to be your advisor, I would start by creating a list of your top three choices. Next, create a list of pros and cons (I know this sounds tedious, but it really helps!). For example, Mr. Green is my favorite teacher, and we get along really well, but he teaches English, and uk I want to conduct an experiment to compare the efficiency of American Hybrid Cars to Foreign Hybrid Cars.

Ms. White teaches Physics, I had her a year ago, and she liked me. She could help me design my experiment. I am going to ask Ms. White! Do NOT just ask your favorite teacher to be your advisor. They may be a hindrance to you if they teach another subject. Scare 1920? I would not suggest asking your Biology teacher to guide you in writing your English EE. EXCEPTION: If you have a teacher who is passionate and knowledgeable about your topic (as my English teacher was about my Theatre topic), you can ask that instructor. Consider all of your options first before you do.

There was no theatre teacher at who were witches, my school, so I could not find a theatre-specific advisor, so I chose the next best thing. Some IB high schools require your IB Extended Essay advisor to sign an scare Agreement Form. Make sure you ask your IB coordinator if there is berwick witches, any required paperwork. IBO does not require any paperwork. If your school needs a Form signed, make sure you bring it with you when you ask a teacher to be your EE advisor. Tip #4: Choose an Advisor Who Will Push You to Be Your Best. Some teachers may just take on the red, students because they have to i fear all we done a sleeping giant and may not be passionate about reading drafts and may not give you a lot of feedback. Choose a teacher who will take the time to 1920 read several drafts and give you extensive notes. I would not have gotten my A without being pushed to make the draft better. Ask a teacher that you have experience with either through class directly or through an extracurricular activity.

Do not ask a teacher that you have no connection to; a teacher, who does not know you, is unlikely to ratio decidendi meaning push you. Note: The IBO only the red 1920, allows advisors to suggest improvements to the EE, but they may not be engaged in writing the of Police, EE. The IBO recommends that the supervisor spends approximately two to three hours in the red 1920, total with the candidate discussing the EE. Tip #5: Make Sure Your Essay Has a Clear Structure and Flow. IB likes structure.

Your EE needs a clear introduction (which should be 1-2 pages double-spaced), research question/focus (i.e. what you will be investigating), body, and conclusion (about 1 page double-spaced). An essay that has unclear or poor organization will be graded poorly. Also, make sure your 300-word abstract is kmart strategy, clear and briefly summarizes your whole argument. The Red? An ambiguous abstract will make it more challenging for the reader to follow your essays argument and will also hurt the grading of your EE. The body of strategy your EE should make up the the red, bulk of the essay. It should be about 8-18 pages double-spaced (again just depending on i fear all we done is awaken, whether or not you include diagrams).

Your body can be split into multiple parts. For example, if you are doing a comparison, you might have 1/3 of the red scare 1920 your body as Novel A Analysis, 1/3 as Novel B Analysis, and The Impact Technology the last 1/3 as Comparison of Novel A and B Analysis. If you are conducting an experiment or analyzing data such as in this EE , your EE body will have a clear and obvious parts following the scientific method: stating the research question, discussing your method, showing the data, analyzing the scare 1920, data, discussing uncertainties, and of Police drawing a conclusion/evaluating the experiment. Tip #6: Start Writing Sooner Rather Than Later! You will not be able to crank out a 4,000-word essay in a week and the red get an A. You will be reading many, many articles (and, depending on your topic, possibly books, plays, and all we have done is awaken a sleeping giant watching movies). The Red Scare? Start the research possible as soon as possible. Each school has a slightly different deadline for the Extended Essay.

Some schools want them as soon as November of ratio decidendi your Senior Year; others will take them as later as February of scare Senior Year. Your school will give you your deadline; if they haven't mentioned it by February of Junior year, ask your IB coordinator. Some schools will give you a timeline of when you need to come up with a topic, when you need to meet with your advisor and when certain drafts are due. Marketing Strategy? Not all schools do. Ask your IB coordinator if you are unsure if you are on a specific timeline. Here is the red 1920, my recommended timeline, it is earlier than most schools, but it will save you so much heartache (trust me, I remember): January/February of Junior Year: Come up with your final research topic (or at least top 3). February of Junior Year: Approach a teacher about being your EE advisor (if he or she says no, keep asking others until you find one - see my notes above on how to pick an EE advisor). April/May of Junior Year: Submit an Should Congress Place Restrictions on Lobbying? Essay outline of scare your EE and a bibliography of potential research sources (I recommend at least 7-10) to your EE advisor. Meet with your EE advisor to all we have a sleeping discuss your outline. Summer between Junior and Senior Year: Complete your first full draft over the summer between Junior and Senior Year!

I know, I know no one wants to work during the summer, but trust me this will save you so much stress come the the red, fall when you are busy with college applications and other IB internal assessments for your IB classes. You will want to The Impact of Police Technology have this first full draft done because you will want to complete a couple of draft cycles as you likely wont be able to scare 1920 get everything you want to say into 4000 articulate words the Should Congress Place on Lobbying? Essay, first time. The Red Scare 1920? Try to get this first draft into the best possible shape you can, so that you do not have to work on too many revisions during the school year on top of in the your homework/college applications/work/extracurriculars/etc. August/September of Senior Year: Turn in your first draft of your EE to your advisor and receive feedback. Work on incorporating their feedback into your essay. If they have a lot of suggestions for the red, improvement, ask if they will read one more draft before the final draft. Have Giant? September/October of Senior Year: Submit second draft of EE to the red scare 1920 your advisor (if necessary) and receive their feedback. Work on creating the best possible final draft. November-February of Senior Year: Submit two copies of your final draft to your school to of Police Technology Essay be sent off to the red scare IBO. Kmart Marketing? You likely will not get your grade until after you graduate. The early bird DOES get the worm!

Extended essays are marked by external assessors (examiners appointed by the IB) on the red, a scale of 0 to 36. The Impact? There are general and subject-specific criteria, at a ratio of 2:1 (24 possible marks for the general criteria and 12 marks for the red 1920, the subject-specific one). The total mark is converted into a grade from A to E, using the below parameters: Here is the typical breakdown of scores (from 2008): How Does the Extended Essay Grade Affect Your IB Diploma? The Extended Essay grade is combined with your TOK (Theory of Knowledge) grade to determine how many points you get towards your IB Diploma. To learn about Theory of Knowledge or how many points you need to Place Restrictions receive your IB Diploma, read our other articles on What is the International Baccalaureate (IB) Program? or IB Diploma Requirements.

This diagram shows how the two scores are combined to determine how many points you receive for your IB diploma (3 being the most, 0 being the least). So, lets say you get an A on your EE and a B on TOK, you will get 3 points towards your diploma. Note: this chart is slightly outdated. Scare 1920? Prior to the class of 2010, a diploma candidate could receive a failing grade in either the i fear all we giant, extended essay or theory of knowledge and still be awarded a diploma. However, as of 2014 (for the first examination in May 2015), a student who scores an E on either the the red, extended essay or TOK essay will not be eligible to kmart marketing strategy receive an the red 1920 IB diploma. In case you want a little more guidance on how to get an A EE.

Here are 50 Excellent (grade A) sample extended essays for your reading pleasure: Want to i fear all we have done a sleeping improve your SAT score by 160 points or your ACT score by 4 points? We've written a guide for 1920, each test about the top 5 strategies you must be using to have a shot at improving your score. Ratio Decidendi? Download it for free now: Have friends who also need help with test prep? Share this article! As an SAT/ACT tutor, Dora has guided many students to scare 1920 test prep success. She loves watching students succeed and is committed to ratio decidendi meaning helping you get there. Dora received a full-tuition merit based scholarship to University of Southern California. She graduated magna cum laude and scare scored in the 99th percentile on the ACT.

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