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bio for resume 1964 M.A. in Photojournalism, Annenberg School for oliver goldsmith the deserted village Communication, University of Pennsylvania, Philadelphia, Pennsylvania. 1992 Honorary Degree, Doctorate of Fine Arts, University of Arts, Philadelphia, Pennsylvania. 1994 Honorary Degree, Doctorate of Fine Arts, University of Pennsylvania, Philadelphia, Pennsylvania. Lmo Stands For. 2001 Honorary Degree, Doctorate of Fine Arts, Center for Creative Studies, Detroit, Michigan. 2004 Honorary Degree, Doctorate of Arts, Columbia College, Chicago, Illinois. 2004 Honorary Degree, Doctorate of oliver goldsmith the deserted village, Fine Arts, Kenyon College, Gambier, Ohio. 1975 U.S.I.A. Grant to lecture and lmo stands for, exhibit in oliver village Yugoslavia. 1977 National Endowment for the Arts.

1977 New York State Council for the Arts: CAPS Grant. 1978 Commissioned Artist with the Bell System Photography Project. 1980 National Endowment for the Arts. 1990 National Endowment for the Arts. 1994 John Simon Guggenheim Fellowship. 1997 Erna and Victor Hasselblad Foundation Grant to which is an advantage communication?, continue to make pictures for the American book exhibition project. 2014 Bill and Melinda Gates Foundation Grant for Tiny film programming. 1976-77 Ward 81, Gallery Forum, Stradpack, Graz, Austria.

1977 Ward 81, Santa Barbara Museum of goldsmith, Art, California. 1977 Port Washington Library, Port Washington, New York. Ladder For Booker. 1978 Ward 81, Castelli Graphics, New York, New York. 1978 Boise Gallery of Art, Idaho. Oliver The Deserted Village. 1978 Photography Gallery, Yarra, Australia. 1979 Ward 81, Museum of Art, University of ladder, Oregon, Eugene, Oregon. 1979-80 Ward 81, Bars, Gallery Nagel, Berlin, Germany. 1981 Falkland Road, Castelli Graphics, New York, New York. 1981 Falkland Road, Olympus Gallery, London, England.

1982 Falkland Road, Mary Porter, Seson Art Gallery, University of California, Santa Cruz, California. Oliver The Deserted Village. 1982 Falkland Road, California Museum of diary of a slave, Photography, Riverside, California. Oliver The Deserted. 1982 Ward 81, Bars, Drew University, New Jersey. 1983 Gallery of Fine Arts, Daytona Beach Community College, Daytona Beach, Florida. 1983 Mother Teresa and Calcutta, Friends of slave, Photography, Carmel, California. 1985 Mother Teresa and Calcutta, Allen Street Gallery, Dallas, Texas. 1986 Mother Teresa and oliver goldsmith, Calcutta, Northlight Gallery, Tempe, Arizona.

1987 Mother Teresa and Calcutta, Faculty Club Gallery, University of of a slave, Pennsylvania, Philadelphia, Pennsylvania. Goldsmith. 1987 Mary Ellen Mark: Photographs, University of Oklahoma, Museum of ladder, Art, Norman, Oklahoma. Oliver The Deserted Village. 1988 Portraits, Photography Gallery, Santa Monica College, Santa Monica, California. 1988 America, Pasadena Art Center, Pasadena, California. 1988 America, Brooks Art Institute, Santa Barbara, California. 1989 Portraits, Birmingham Museum of Art, Birmingham, Alabama. 1991 Portraits, California Museum of of David, Photography, Riverside, California.

1991 Indian Circus: Platinum Prints, Castelli Graphics, New York, New York. Oliver The Deserted. 1992 Mary Ellen Mark: 25 Years, International Center for Photography, New York, New York. Malaysia's And Australia's Systems Compared. 1992 Indian Circus: Platinum Prints, Robert Koch Gallery, San Francisco, California. Goldsmith The Deserted. 1992 Indian Circus: Platinum Prints, Fahey Klein Gallery, Los Angeles, California. 1992 Indian Circus: Platinum Prints, Robert Klein Gallery, Boston, Massachusetts. Ladder For Booker. 1992 Indian Circus: Platinum Prints, Richard Gray Gallery, Chicago, Illinois.

1992 Indian Circus: Platinum Prints, Bentler Morgan Gallery, Houston, Texas. 1992 Indian Circus: Platinum Prints, A Gallery for Fine Photography, New Orleans, Louisiana. 1992 Mary Ellen Mark: 25 Years, George Eastman House, Rochester, New York. 1992 Mary Ellen Mark: 25 Years, Museum of Photographic Art, San Diego, California. 1992 Mary Ellen Mark: 25 Years, Chrysler Museum, Norfolk, Virginia. 1992 Mary Ellen Mark: 25 Years, Instituto de Estudios Norteamericanos, Barcelona, Spain. 1992 Mary Ellen Mark: 25 Years, Chicago Cultural Center, Chicago, Illinois.

1992 Mary Ellen Mark: 25 Years and Indian Circus, Palais de Tokyo, Paris, France. 1993 Mary Ellen Mark: 25 Years, Seattle Art Museum, Seattle, Washington. Goldsmith The Deserted Village. 1993 Mary Ellen Mark: 25 Years, Museum of Photographic Arts, San Diego, California. 1993 Mary Ellen Mark: 25 Years, Oliver Art Center, Oakland, California. 1993 Mary Ellen Mark: 25 Years, Royal Society of Photography, Bath, England. 1993 Mary Ellen Mark: 25 Years, Bath, England; The Reykjavik Municipal Art Museum, Iceland. 1993 Mary Ellen Mark: 25 Years, Addison Gallery of American Art, Andover, Massachusetts. 1993 Mary Ellen Mark: 25 Years, Toledo Museum of Art, Toledo, Ohio.

1993 Mary Ellen Mark: Photographs, Parco Exposure Gallery, Tokyo, Japan. 1993 Mary Ellen Mark: Indian Circus: Platinum Prints, Honolulu Academy of Arts, Honolulu, Hawaii. 1993 Mary Ellen Mark: Indian Circus: Platinum Prints, Ogilvy and Statues of David, Mather, New York, New York. Oliver Goldsmith The Deserted Village. 1993 Mary Ellen Mark: America, Agatha Gaillard, Paris, France. 1994 Mary Ellen Mark: 25 Years, National Museum of Photography, Bradford, England, 1994 National Museum of Women in the Arts, Washington, D.C. 1995 Mary Ellen Mark: Indian Circus: Platinum Prints, Ogilvy and Mather, New York, New York. 1995 Mary Ellen Mark: Indian Circus: Platinum Prints, The Country Bazaar Gallery, Montauk, New York. 1996 The Masters Series: Mary Ellen Mark, School of Visual Arts, New York, New York. 1996 Mary Ellen Mark: Thirty Years, Arthur Ross Gallery, University of diary of a slave, Pennsylvania, Philadelphia, Pennsylvania. 1996 The Master's Series: Mary Ellen Mark, A Gallery of Fine Photography, New Orleans.

1996 The Master's Series: Mary Ellen Mark, Chromatics, Nashville, Tennessee. 1996 Mary Ellen Mark: Indian Circus: Platinum Prints, The Cleveland Museum of Art, Ohio. The Deserted Village. 1997 Mary Ellen Mark: 25 Years, The Museum of ladder for booker, Art, Fort Lauderdale, Florida. Oliver Goldsmith The Deserted. 1998 Mary Ellen Mark: 25 Years, Milan, Italy. 1998 Mary Ellen Mark: 25 Years, El Centro de la Imagen, Mexico City, Mexico.

1998 Mary Ellen Mark: 25 Years, Centro Fotografico Alvarez Bravo, Oaxaca, Mexico. For Booker. 1999 Tribute to village, Fellini, International Photomeeting, Republic of and Australia's Educational Systems Essay example, San Marino. 2000 Strange Moments, Howard Greenberg Gallery, New York, New York. 2000 Mary Ellen Mark: Photographs, Philadelphia Museum of Art, Philadelphia, Pennsylvania (review) 2000 Mary Ellen Mark: American Odyssey, Boras Museum of oliver goldsmith village, Art, Boras, Sweden. 2000 Mary Ellen Mark: American Odyssey, Fort Wayne Museum of Art, Fort Wayne, Indiana. 2000 Mary Ellen Mark: American Odyssey, Arbetets Museum, Norrkoping, Sweden.

2000 Mary Ellen Mark: American Odyssey, Fahey Klein Gallery, Los Angeles, California. 2000 Mary Ellen Mark: Photographs, Weinstein Gallery, Minneapolis, Minnesota. Lmo Stands For. 2000 Mary Ellen Mark: 25 Years, Laumont Gallery, Phillips Exeter Academy, Exeter, New Hampshire. Goldsmith The Deserted Village. 2000-2001 Mary Ellen Mark: American Odyssey, Kulturhuset, Stockholm, Sweden. 2001 Mary Ellen Mark: American Odyssey, Landskrona Museum, Landskrona, Sweden. 2001 Mary Ellen Mark: American Odyssey, International Center of Essay, Photography, New York, NY. Oliver Goldsmith Village. 2001 Mary Ellen Mark: American Odyssey, The National Museum of Malaysia's and Australia's Educational Systems example, Photography, Copenhagen, Denmark. 2001 Mary Ellen Mark: American Odyssey, Minnesota Museum of goldsmith village, American Art, Minneapolis, Minnesota. And Australia's Systems Essay. 2002 Mary Ellen Mark: Photographs, Leica Gallery, Prague Castle, Prague, Czech Republic.

2002 Mary Ellen Mark: American Odyssey, The National Museum of Photography, Horten, Norway. The Deserted Village. 2002 Mary Ellen Mark: American Odyssey, Reykjavik Museum of Photography, Reykjavik, Iceland. 2002 Mary Ellen Mark: American Odyssey, Bilden Hus, Sundsvall, Sweden. 2002 Mary Ellen Mark Photographs, Fait Cause, Paris, France. 2002-2003 Mary Ellen Mark: American Odyssey, Orebro Konsthall, Orebro, Sweden.

2003 Mary Ellen Mark American Odyssey, Photoforum PasquArt, Bienne, Switzerland. 2003 Mary Ellen Mark American Odyssey, Hasselblad Center, Goteborg, Sweden. 2003 Mary Ellen Mark American Odyssey, Sweet Briar College, Sweet Briar, Virginia. 2003 Twins, Marianne Boesky Gallery/Kennedy Boesky Photographs, New York, New York. 2003 Mary Ellen Mark American Odyssey Twins, Carla Sozzani Gallery, Milan, Italy. Ladder T. Washington. 2004 Twins, Stadsgalleriet Halmstad, Sweden.

2004 Mary Ellen Mark American Odyssey, EFTI, Madrid, Spain. 2004 Twins, Galleri F15, Moss, Norway. 2004 Mary Ellen Mark American Odyssey, Center Circolo Fotografico Tina Modotti, Bolzano, Italy. 2004 American Odyssey Twins, Fotobienniale, Moscow. 2004 American Odyssey Twins, Manchester Art Gallery, Manchester, England. Oliver Goldsmith The Deserted. 2004 Twins, The Hague Museum of Mary, Photography, The Hague, Netherlands. 2004 Twins Falkland Road, Columbia College, Chicago, Illinois. 2005 Falkland Road, Marianne Boesky Gallery, New York, New York.

2005 Falkland Road, Yancey Richardson Gallery, New York, New York. Oliver Goldsmith. 2006 Falkland Road and of David Art Essay, Twins, Fahey Klein Gallery, Los Angeles, California. 2006 Mary Ellen Mark American Odyssey Twins, Salo Art Museum, Salo, Finland. 2006-2007 Mary Ellen Mark American Odyssey Twins, Perspektivet Museum, Tromso, Norway. The Deserted Village. 2007 Extrardinary Child, National Museum of diary slave, Iceland, Reyjkjavik, Iceland. 2007 Twins, Fahey Klein Gallery, Los Angeles, California. 2007 Mary Ellen Mark American Odyssey, Fotogalleriet, Kristiansand, Norway. The Deserted Village. 2007 Ward 81, Stephen Bulger Gallery, Toronto, Canada. 2007 Mary Ellen Mark American Odyssey, Palazzo Guinigi, Lucca, Italy.

2007-2008 Mary Ellen Mark American Odyssey, Fotogalleriet Format, Malmo, Sweden. 2007-2008 Ward 81 Note Cards Printing Notes, John McWhinnie @ Glenn Horowitz, New York, New York. 2008 Prom, Festival of the Photograph, Charlottesville, Virginia. For Booker T. Washington. 2008 Twins, Terhune Gallery, Owens Community College, Toledo, Ohio. 2008 Prom, Johnson Museum of the deserted, Art, Cornell University, Ithaca, New York.

2008 Extraordinary Child, Nordiska Museum, Stockholm, Sweden. 2008 Seen Behind the lmo stands for Scene, Fahey Klein Gallery, Los Angeles, California. 2008-2009 Seen Behind the Scene, Staley-Wise Gallery, New York, New York. Goldsmith Village. 2009 Indian Circus, Howard Greenberg Gallery, New York, New York. Statues Art Essay. 2009 Extraordinary Child, Duke University Center for Documentary Studies, Durham, North Carolina. 2010 Disquieting Images, La Triennale di Milano, Milan, Italy. Oliver Village. 2010-2012 Seen Behind the Scene, Fnac Spain, various locations. 2011 The Portrait as Document, SEE+ Art Space/Gallery, Beijing, China. Ladder For Booker. 2011 Twins, Galleri Magnus Aklundh, Malmo, Sweden.

2011 Falkland Road, Indian Circus, and goldsmith village, Ward 81, Blue Sky Gallery/Oregon Center for diary slave the Photographic Arts, Portland, Oregon. 2012 Prom, Philadelphia Museum of Art, Philadelphia, Pennsylvania. 2012-2013 Prom, Janet Borden, Inc., New York, New York. The Deserted. 2013 Seen Behind the Scene, Weinstein Gallery, Minneapolis, Minnesota. Queen Or Bloody Essay. 2013 Leica: My First Camera, Leica Store, Los Angeles, California. 2013-2014 Mary Ellen Mark, Galerie Anne de Villepoix, Paris, France. Oliver. 2013-2014 Celebrities, La Fabrica, Madrid, Spain. 2014 Leica: My First Camera, Leica Store, Washington, DC.

2014 Man and Beast, Wittliff Collections, Texas State University, San Marcos, TX. Diary Slave. 2014 Mary Ellen Mark, Stills Gallery, Sydney, Australia. Goldsmith. 2014 Frames of Queen Mary or Bloody Essay, America, National Library of oliver the deserted, Latvia, Riga, Latvia. Lmo Stands For. 2016 Attitude, Howard Greenberg Gallery, New York, NY. 2015 Tiny: Streetwise Revisited, Norton Museum of Art, West Palm Beach, FL. 2016 Tiny: Streetwise Revisited, The Seattle Public Library, Seattle, WA.

2017 Tiny: Streetwise Revisited, Suzanne H. Oliver The Deserted. Arnold Art Gallery at Lebanon Valley College, Annville, PA. 1973 Photokina, Cologne. 1973 I.P.O.S.A., Traveling Exhibition. 1975 Women of Photography: A Historical Survey, San Francisco Museum of Modern Art, San Francisco, California. 1975 Women Photographers, Neikrug Gallery, New York, New York. 1975 U.S.I.A., European Traveling Exhibitions. 1975 Exhibit with Ralph Gibson, Photopia Gallery, Philadelphia, Pennsylvania. 1976 Women of Photography, Sidney Janis Gallery, New York, New York.

1977 Eight American Female Photographers, Iran-America Society Cultural Center, Tehran, Iran. 1977 Exhibit with Burk Uzzle, M.I.T. Creative Photography Library, Cambridge, Massachusetts. 1979 American Images, International Center of Photography, New York, New York. 1979 Portraits and Permanent Collection, Bibliotheque Nationale, Paris, France. 1980 Likely Stories, Castelli Graphics, New York, New York.

1980 American Images: New Work by Queen Mary Mary Twenty Contemporary Photographers, International Center of Photography, New York, New York. 1981 Portraits, Klaus Honnef-Lichtbildniffe, Rheinschef Landes Museum, Bonn, Germany. The Deserted Village. 1981 Love is Blind, Castelli Graphics, New York, New York. Malaysia's And Australia's Systems Compared. 1981 Photography as Art, Joyce Strauss, Denver, Colorado. Goldsmith The Deserted. 1981 Points of View, University of Oklahoma, Norman, Oklahoma. 1981 Color As Form, History of in Renaissance Art Essay, Color Photography, Corcoran Gallery of Art, Washington, D.C. 1982 Color As Form, History of the deserted village, Color Photography, George Eastman House, Rochester, New York. Queen Mary. 1982 The Photography Gallery, Castelli Graphics, New York, New York. 1982 Floods of Light; Flash Photography 1851-1981, Castelli Graphics, New York, New York. 1982 American Photography Today, University of Colorado, Denver, Colorado. 1982 The Permanent Collection: A Selection of American Images, Minneapolis Institute of oliver goldsmith village, Arts, Minneapolis, Minnesota.

1983 Eaton Shoen Gallery, San Francisco, California. Diary Slave. 1983 Phototypes: The Development of Photography in New York, Whitney Museum of American Art, New York, New York. Oliver Goldsmith. 1985 Bars, Barbican Art Gallery, London, England. 1985 Mother Teresa, Munich Stradt Museum, Munich, Germany. Of A. 1985 Portraits, Castle Gallery, New Rochelle, New York. 1985 Mother Teresa, Hillwood Art Gallery, Greenvale, New York. 1985 Faces, United Nations 40th Anniversary Photography Exhibit, Berkeley, California. Oliver Goldsmith. 1985 NYC X 5, Bars, Eaton Shoen Gallery, San Francisco, California. 1986 Miami Beach, Walker Art Center, Minneapolis, Minnesota. T. Washington. 1986 Santa Barbara, Santa Barbara Contemporary Arts Forum, California.

1986 Miami Beach, Bass Museum of village, Art, Miami Beach, Florida. 1986 Miami Beach, Portland Museum of Mary Mary, Art, Portland, Maine. 1986 Miami Beach, Menacham Goldmann Museum of the Jewish Diaspora, American Friends of Beth Hatefutsoth/World Zionist Organization, Miami Beach, Florida. The Deserted. 1986 50 Years of Modern Color Photography, Photokina, Cologne, Germany. 1986 Mother Teresa, Catskill Center of Photography, Woodstock, New York. For Booker. 1986 Public/Private, The Museum of oliver goldsmith, Contemporary Photography, Columbia College, Chicago, Illinois. 1986 I'm Not Crazy, I Just Lost My Glasses, New Works Gallery, University of diary of a slave, Illinois, Chicago, Illinois.

1986 The World: Conflict Caring, The Catskill Center for goldsmith Photography, Woodstock, New York. 1986 Out of the Darkroom/Art of the Art Essay Darkroom, Euphrate Gallery, Cupertino, California. Oliver Village. 1986 Commitment to of these is an communication?, Vision, Oregon Gallery, University of the deserted, Oregon, Eugene, Oregon. 1986 Palo Alto Cultural Center, Palo Alto, California. 1987 Photographers Who Make Films, The Catskill Center for Photography, Woodstock, New York. Lmo Stands For. 1987 Inside Out: Ward 81, Gallery II at de Saisset Museum, Santa Clara, California. 1987 1974, Light Gallery, New York, New York. 1987 Twentieth Anniversary Exhibition: Part II, Friends of Photography, Carmel, California. 1987 American Dreams, Centro Reina Sofia, Madrid, Spain. 1987 University of Colorado: Group Show, Boulder, Colorado.

1987 Ansel Adams and goldsmith the deserted village, Friends, Scotsdale Center For The Arts, Scottsdale, Arizona. 1988 Legacy of Light, De Cordova and Dana Museum, Lincoln, Massachusetts. 1988 Selected Works, Castelli Graphics, New York, New York. 1988 Homeless In America, Corcoran Gallery of Art, Washington, D.C. 1988 Homeless In America, New York City Public Library, New York, New York. 1988 China, Recontres D'Arles, Arles, France. 1988 The Instant Likeness, Polaroid Portraits, The National Portrait Gallery, Washington, D.C. Diary Of A Slave. 1988 Paris Opera, Association Pour Le Rayonnement De L'Opera De Paris, France. 1989 New Portraiture, Clarence Kennedy Gallery, Cambridge, Massachusetts.

1989 Das Portrait in oliver goldsmith village der Zeitgenossischen Photographie, Frankfurter Kunstverein, Frankfurt, Germany. Which Of These Advantage Communication?. 1989 Das Portrait in goldsmith der Zeitgenossischen Photographie, Kulturcentrum, Mainz, Germany. 1989 In Our Time: The World As Seen By Magnum Photographers, International Center of which of these is an advantage of written communication?, Photography, New York, New York. 1991 Imaging Illness, Albert Schweitzer Center, Great Barrington, Washington. 1991 Pictures of oliver goldsmith village, Peace, F.I.T. Resource Center, New York, New York.

1992 Our Town, Aperture, New York, New York. 1993 Oklahoma Arts Institue, Quartz Mountain Lodge, Oklahoma City, Oklahoma. 1993 University of Colorado: All Hallow's Eve, Boulder, Colorado. 1993 University of New Hampshire: Ward 81, Durham, New Hampshire. For Booker. 1993 College of New Rochelle, Castle Gallery: Angels, An Endangered Species, New Rochelle, New York.

1993 Wings of the deserted village, Change, Directors' Guild of ladder t. washington, American, Los Angeles, California. 1994 Olgivy Mather, New York, New York. 1994 Visa Pour L'Image/Perpignan, Perpignan, France. 1994 Festival International de la Photo de Mode, Paris, France. 1994 Talking Pictures Traveling Exhibition ( New York City, San Francisco, Washington DC, Atlanta, Milwaukee, LA, Minneapolis, Nashville, Tucson, Baton Rouge) 1994 Magic of Play, Giorgio Beverly Hills, California. 1994 . Goldsmith Village. it's how you play the game., Exit Art, New York, New York.

1995 A Century Apart: Images of Struggle Spirit, Jacob Riis Five Contemporary Photographers, City Museum of Statues in Renaissance Art Essay, New York, New York, NY. 1995 PDA Exhibit, Las Vegas, Nevada. 1995 Magic Moments - 40 Years of oliver goldsmith, Leica M, Galerie Photo, Paris, France. 1995 Insight: Women's Photographs from the Collection, - George Eastman House, Rochester, New York. 1995 We Look and See, Images of Childhood in Contemporary American Photography, University Art Museum, Berkeley, California. 1995 Magic of Play, Grand Central Station, New York, New York.

1995 Animal Attractions, Humane Society, New York, New York. 1995 100th Anniversary of Conde Nast Traveler, Danzinger Gallery, New York , New York. 1996 Beyond the t. washington Looking Glass, Contemporary Women Photographers, David Adamson Gallery, Washington, D.C. 1996 A History of village, Women Photographers, Akron Art Museum, Akron, Ohio. 1996 Family Matters, Greg Kucera Gallery, Seattle, Washington. 1996 Howard Finster, Fay Gold Gallery, Atlanta, Georgia. Of David. 1996 Clinique's Future Beauty Houk Friedman Gallery, New York, New York. 1996 60th Anniversary of Life Magazine, The Newseum, New York, New York. 1997 Prostitution, Paul Kopeikin Gallery, Los Angeles, California. The Deserted Village. 1997 The Portrait/The Nude II, Fahey/Klein, Los Angeles, California.

1997 Objectif Corps, Musee des beaux-arts de Montreal, Montreal, Canada. Statues In Renaissance. 1997 India: A Celebration of Independence, 1947-1997, National Gallery of Modern Art, New Delhi, New Delhi, India. 1997 India: A Celebration of Independence, 1947-1997, National Gallery of oliver goldsmith village, Modern Art, Mumbai, Mumbai, India. 1997 India: A Celebration of Independence, 1947-1997, Philadelphia Museum of Art, Philadelphia, Pennsylvania. 1997 India: A Celebration of Independence, 1947-1997, Virginia Museum of Fine Arts, Richmond, Virginia. 1997 India: A Celebration of Independence, 1947-1997, Indianapolis Museum of Art, Indianapolis, Indiana. 1997 Hope Photographs, MTA Arts for Transit Lightbox Project, on Statues Art Essay display at Times Square Station, New York, New York. 1997 Defining Eye: Women Photographers of the 20th Century, The Saint Louis Art Museum St.

Louis, Missouri. 1998 Before the Lens: Images of the oliver goldsmith the deserted village Imagemakers, New Hampshire Institute of art, Manchester, New Hampshire. 1998, Before the Malaysia's and Australia's Educational Compared Essay Lens, Images of the Imagemakers, Boston University Art Gallery, Boston, Massachusetts. 1998 A Summer Wedding, Leica Gallery, New York, New York. 1998 Under/Exposed, Underground stations throughout Stockholm, Sweden. 1998 Pictures of the deserted village, Texas Monthly, 25 Years Lyndon Baines Johnson Library, Austin, Texas.

1998 The Underwhelming Tide, North Dakota Museum of Art, Grand Forks, North Dakota. 1998 India: A Celebration of Independence, 1947-1997, Victoria Memorial Museum, Calcutta, India. 1998 India: A Celebration of Malaysia's and Australia's Systems Compared Essay, Independence, 1947-1997, Lalit Kala Akademi, Chennai, India. Goldsmith The Deserted Village. 1998 India: A Celebration of Mary Essay, Independence, 1947-1997, Royal Festival Hall, London, England. 1998 India: A Celebration of Independence, 1947-1997, Palazzo Reale - Arengario Milan, Italy. Village. 1998 India: A Celebration of Independence, 1947-1997, Knoxville Museum of Art, Knoxville, Tennessee. 1998 India: A Celebration of Independence, 1947-1997, Virginia Museum of Malaysia's Educational Compared, Fine Arts, Richmond, Virginia. 1998 India: A Celebration of Independence, 1947-1997, Indianapolis Museum of Art, Indianapolis, Indiana. 1998 Defining Eye: Women Photographers of the 20th Century, The Museum of oliver, Fine Arts, Santa Fe, New Mexico. 1998 Defining Eye: Women Photographers of the lmo stands for 20th Century, The Mead Museum of goldsmith, Art, Amherst, Massachusetts. Queen Mary Mary. 1998 The Coincidence of the Arts, (Mario Testino, David Levinthal, and Francisco Toledo) Musee des Arts Decoratifs, Paris, France.

1998 Holding Patterns: Selections from the Photography Collection of Arthur J. Goodwin , San Jose Museum of oliver goldsmith the deserted, Art, San Jose, California. Lmo Stands For. 1998-1999 Circus, Paul Kopeikin Gallery, Los Angeles, California. 1999 Before the Lens: Images of the the deserted village Imagemakers, Queens Museum of Art, Queens, New York. 1999 Independent Visions: Women Photographers from the Collection, California Museum of Photography, Riverside, California. 1999 India: A Celebration of Independence, 1947-1997,The Montreal Museum of Fine Arts, Montreal, Quebec, Canada. 1999 India: A Celebration of lmo stands for, Independence, 1947-1997, Chicago Cultureal Center, Chicago, Illinois. 1999 All Dressed In White: Bridal Traditions, Castle Gallery, New Rochelle, New York. 1999 Defining Eye: Women Photographers of the oliver the deserted 20th Century, The George Eastman House, Rochester, New York. 1999 Defining Eye: Women Photographers of the 20th Century, The Brauer Museum at Valparaiso University, Valparaiso, Indiana. 1999 Defining Eye: Women Photographers of the 20th Century, The Wichita Art Museum, Wichita, Kansas.

1999 Defining Eye: Women Photographers of the 20th Century, UCLA Hammer Museum of Art, Los Angeles, California. 1999 Masterminds of Mode: International Fashion Festival in diary Japan, Mitsukoshi Gallery at Nihonbashi Mitsukoshi, Japan. 1999 The Way Home: Ending Homelessness in America, Corcoran Gallery of oliver goldsmith village, Art, Washington, DC. 2000 Masterminds of lmo stands for, Mode: International Fashion Festival in oliver Japan, Mitsubishi-Jishi Atrium, Japan. 2000 Masterminds of lmo stands for, Mode: International Fashion Festival in Japan, Kobe Fashion Museum, Japan. 2000 Keepers of the Wisdom, United Nations, New York, New York. 2000 Personae: Portraits from the Collection, The Museum of Contemporary Photography, Columbia College, Chicago, Illinois. 2000 India: A Celebration of the deserted village, Independence, 1947-1997 (selected images), the Consulate General of India, New York, New York. 2000 Picturing the of these is an communication? Modern Amazon, The New Museum of Contemporary Art, New York, New York. Oliver Goldsmith. 2000 In Black and White: Photography, Stefan Stux Gallery, New York, New York.

2000 Looking Into the Collection: Faith, Center for Creative Photography, Tucson, Arizona. Statues. 2001 Red Hot Art, Red Gallery, Savannah College of Art and Design, Savannah, Georgia. 2001 Two Women, Weinstein Gallery, Minneapolis, Minnesota. 2001 In Response to goldsmith, Place, The Corcoran Gallery of which is an advantage of written, Art, Washington, DC. 2002 In Response to Place, Utah Museum of Natural History, Salt Lake City, Utah. The Deserted Village. 2002 In Response to Place, The Houston Museum of Science, Houston, Texas. 2002 In Response to Place, Bellevue Art Museum, Seattle, Washington. 2002 In Response to Place, High Museum of Art, Atlanta, Georgia. 2002 50th Anniversary, Aperture's Burden Gallery, New York, New York. 2002 New York: Capital of Photography, Jewish Museum, New York, New York.

2002 New York: Capital of Photography, The Madison Art Center, Madison, Wisconsin. 2003 New York: Capital of lmo stands for, Photography, Musee de L 'Elysee, Lausanne, Switzerland. 2003 New York: Capital of Photography, Joods Historisch Museum, Amsterdam, Netherlands. Oliver The Deserted Village. 2003 In Response to Place, The Field Museum, Chicago, Illinois. Queen Mary Essay. 2003 In Response to goldsmith the deserted, Place, Indianapolis Museum of Art, Indianapolis, Indiana.

2003 Game Face, Union Station, Kansas City, Missouri. And Australia's Systems. 2003 Game Face, Chicago Historical Society, Chicago, Illinois. 2004 1970s Color Photography, Marianne Boesky Gallery, New York, New York. 2004 In Response to goldsmith the deserted, Place, Chicago Cultural Center, Chicago, Illinois. Lmo Stands For. 2004 In Response to Place, Cincinnati Museum Center, Cincinatti, Ohio. 2004 In Response to Place, Gibbes Museum of Art, Charleston, South Carolina. 2004 Game Face, Arvada Center for the Arts, Arvada, Colorado. 2004 Game Face, World Financial Center, New York, New York.

2004 Game Face, Fisher Gallery at USC, Los Angeles, California. Oliver Goldsmith Village. 2004 Game Face, Jacksonville Museum of Modern Art, Jacksonville, Florida. And Australia's Essay Example. 2005 In Response to Place, The Renaissance Center, Detroit, Michigan. The Deserted Village. 2005 In Response to Place, The Gallery at Windsor, Vero Beach, Florida. 2005 In Response to Place, Boston Public Library, Boston, Massachusetts. 2005 In Response to Place, Blue Star Contemporary Art Center, San Antonio, Texas. 2005 In Response to Statues, Place, Academy Art Museum, Easton, Maryland. 2006 In Response to oliver, Place, The Bruce Museum, Greenwich, Connecticut.

2006 New York, New York, Grimaldi Forum, Monaco. 2007 New York, House of World Cultures, Berlin, Germany. 2007 Women by lmo stands for Women: Artworks from the Permanent Collection Gallery, California Museum of Photography, Riverside, California. 2007 Prized Images: The Knight Purchase Award for Photographic Media 1991-2006, Akron Art Museum, Akron, Ohio. 2007-2008 New York, Queens Museum of Art, Queens, New York. Oliver Goldsmith Village. 2008 Vanity Fair Portraits, National Portrait Gallery, London, England. 2008-2009 Vanity Fair Portraits, Los Angeles Count Museum of Art, Los Angeles, California.

2008 Role Models, National Museum of ladder for booker t. washington, Women in the Arts, Washington, DC. Oliver Goldsmith. 2008-2009 Leica + Hasselblad: A Selection of Classic Cameras from teh David Whitmire Hearst Jr. Foundation Collection, California Museum of is an of written, Photography, Riverside, California. 2009 Character Project, various locations. 2009 American the Beautiful, Staley Wise Gallery, New York, New York. 2009 Sacred Sight: Photographs in India, Howard Greenberg Gallery, New York, New York. 2009 An Autobiography of the San Francisco Bay Area, SF Camerawork, San Francisco, California. 2009-2010 Sacred Sights, The Empty Quarter, Dubai, UAE.

2010 CINEMA, Polka Gallery, Paris, France. 2010 Engaged Observers: Documentary Photography since the goldsmith the deserted Sixties, The J. Paul Getty Museum, Los Angeles, California. Lmo Stands For. 2010-2011 eye contact: a potpourri of oliver the deserted village, portraiture from the permanent collection, California Museum of or Bloody, Photography, Riverside, California. 2010-2011 60 from the village 60s: Selections from the ladder t. washington George Eastman House, 1285 Avenue of the Americas Gallery, New York, New York. 2010-2011 Vanity Fair 100 aos, Galeria Ivory Press, Madrid, Spain 2011 Under the goldsmith Big Top, The University of Vermont's Fleming Museum of diary slave, Art, Burlington, Vermont. 2011 Beauty in oliver goldsmith the deserted the 21st Century, part 2: MEN, Deichtorhallen, Hamburg, Germany. Statues. 2011 XV Years of Mary Ellen Mark's Workshop in Oaxaca, Manuel Alvaraz Bravo Center, Oaxaca, Mexico. 2011 POLAROID [IM]POSSIBLE - The WestLicht collection, WestLicht Gallery, Vienna, Austria. 2011 21 and Under, Holden Luntz Gallery, Palm Beach, FL.

2011-2012 group exhibition at The Margulies Collection at oliver goldsmith the deserted village the Warehouse, Miami, Florida. 2011 The New York Times Magazine Photographs, Eglise Sainte Anne, Les Rencontres d'Arles, France. 2012 The New York Times Magazine Photographs, Foam Photography Museum, Amsterdam. 2012 The New York Times Magazine Photographs, Palau Robert, Barcelona, Spain. 2012 Portrayal/Betrayal, Santa Barbara Museum of Art, Santa Barbara, California. And Australia's Educational Essay. 2012 35mm: Photographs from the Collection, Philadelphia Museum of Art, Philadelphia, Pennsylvania. 2012 Women, Staley-Wise Gallery, New York, New York. 2012-2013 60 from the 60s, George Eastman House, Rochester, New York. 2013 The New York Times Magazine Photographs, Centro de Extension, Universidad Catolica de Chile. 2013 I, You, We, Whitney Museum of American Art, New York, New York.

2013 Family Portrait, Philadelphia Museum of Art, Philadelphia, Pennsylvania. 2013 The Gender Show, George Eastman House, Rochester, New York. Goldsmith The Deserted Village. 2013 The New York Times Magazine Photographs, Fotofestival Lodz, Lodz, Poland. 2013 The New York Times Magazine Photographs, MOCA Jacksonville, Jacksonville, Florida. 2013 Beat Generation/Allen Ginsberg, Centre Pompidou-Metz, Metz, France. Statues Of David In Renaissance Art Essay. 2014 Convergences: Selected Photographs from the Permanent Collection, The J. Paul Getty Museum, Los Angeles, California. 2014 Striking Resemblance: The Changing Art of Portraiture, Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey. 2014 The New York Times Magazine Photographs, Hunter Museum of American Art, Chattanooga, Tennessee.

2015 Coney Island: Visions of an American Dreamland, 1861-2008, Wadsworth Atheneum Museum of Art, Hartford, Connecticut. Oliver Village. 2016 IM LICHT DER SCHEINWERFER, Leica Gallery Wetzlar, Germany. 2017 IM LICHT DER SCHEINWERFER, Leica Gallery Salzburg, Austria. 2017 Like a Horse, Fotografiska, Stockholm, Sweden. Australian National Gallery. American Museum of the Moving Image. Of These Advantage Of Written Communication?. Baltimore Museum of Art. Boca Raton Museum of oliver goldsmith the deserted, Art. And Australia's Systems Compared. California Museum of Photography. Cantor Center at Stanford University. California State University Library, Long Beach.

Center for Creative Photography. The Deserted. Centre Georges Pompidou. Or Bloody Mary Essay. Centro Fotografico Alvarez Bravo , Oaxaca. The Chrysler Museum of Art. Cleveland Museum of oliver, Art. Statues. Corcoran Gallery of Art. Detroit Institute of Arts. El Centro de la Imagen, Mexico City. Elvehjem Museum of Art. George Arents, Jr. Collection at the deserted the New York Public Library.

George Eastman House. The Hague Museum of Photography. Hallmark Photographic Collection. For Booker. The Hasselblad Foundation. Harry Ransom Humanities Research Center. Oliver Goldsmith The Deserted Village. Herbert F. Johnson Museum of diary of a, Art at oliver Cornell University. Queen Mary Essay. Honolulu Academy of Art. Hope Photographs Collection for Cameraworks. International Center of Photography.

Iris B. Gerald Cantor Center for Visual Arts at village Stanford. J. Paul Getty Museum. The Library of Congress. Los Angeles County Museum of Art. The Marguilies Collection. Mead Art Museum at which of these is an Amherst College. Village. Minneapolis Institute of Arts. The Museum of Fine Arts, Houston. The Museum of Contemporary Photography, Chicago. Museum of Photographic Arts in San Diego. Museum Ludwig, Cologne.

National Gallery of Australia. National Millennium Survey, College of Santa Fe. The National Museum of ladder for booker, Iceland. National Portrait Gallery. Philadelphia Museum of Art. Portland Museum of Art, Portland, Maine. Saint Louis Art Museum. San Francisco Museum of oliver goldsmith village, Modern Art.

Santa Barbara Museum of Art. Seattle Art Museum. Southeast Museum of Photography. Sweet Briar College. Tokyo Metropolitan Museum of Queen Mary Mary Essay, Photography. The Toledo Museum of Art. Goldsmith. University of Colorado. University of New Mexico Art Museum. University of Oklahoma Museum of Art. University of Oregon. Of David Art Essay. The University of Pennsylvania Art Collection.

Vincent Van Gogh Foundation. The Wittliff Collections. Whitney Museum of American Art. Oliver Goldsmith The Deserted. Yale University Art Gallery. Diary Of A Slave. 1980 Page One Award, for Excellence in Journalism, The Newspaper Guild of New York, Children of Desire, New York Times Magazine. 1981 First Place Feature Picture Story, University of Missouri, Mother Teresa in goldsmith the deserted village Calcutta, Life Magazine. 1981 First Prize, Robert F. Kennedy Journalism Award, Mother Teresa in Compared Essay Calcutta, Life Magazine. 1982 Leica Medal of oliver the deserted village, Excellence, Falkland Road 1983 Canon Photo Essayist Award, Streets of the Lost, Life Magazine. 1983 Honorable Mention - Robert F. Kennedy Journalism Award, Streets of the Lost, Life Magazine.

1984 First Place Magazine Published Picture Story, University of of a, Missouri, Streets of the oliver Lost, Life Magazine. And Australia's Educational Systems Example. 1984 First Prize, Robert F. Kennedy Journalism Award, Camp Good Times, Life Magazine. Oliver. 1986 The Phillipe Halsman Award for of a slave Photojournalism, ASMP. 1986 World Press Photo, 2nd Prize News Features Series. 1987 Photographer of the Year Award, The Friends of Photography.

1988 Art Directors Club 67th Annual Exhibition Distinctive Merit Award. 1988 Creative Arts Awards Citation For Photography, Brandeis University. Village. 1988 World Press Award, for Outstanding Body of Work Throughout the Years. Lmo Stands For. 1988 George W. Oliver Goldsmith The Deserted Village. Polk Award, Photojournalism. 1988 Distinguished Photographer's Award, Women In Photography. 1989 Art Directors Club Award. 1989 The World Hunger Media Awards, Best Photojournalism, Children of ladder, Poverty, Life Magazine.

1990 Pictures of the Year Award for Magazine Portrait/Personality, The Face of goldsmith the deserted village, Rural Poverty, Fortune Magazine. 1992 Victor Hasselblad Cover Award. 1992 The Society of Publication Designers, Award of Distinctive Merit, Pretty Babies, Buzz Magazine. Lmo Stands For. 1992 The Society of Publication Designers, Award of Distinctive Merit, The Prince of Wildwood, Rolling Stone. 1992 Society of Newspaper Design, Award of Excellence, Magazine Cover and Photojournalism Feature, The New York Times Magazine. Oliver The Deserted Village. 1993 Communication Arts Photography Annual, Award of Excellence, Editorial Category. 1993 Communication Arts Photography Annual, Award of Excellence, Editorial Series Category. 1993 Front Page Award, The Newswomens Club of New York, Cree Indians for Conde Nast Traveler, November 10, 1993. Lmo Stands For. 1993 American Photography Competition, Certificate of Excellence, The Good Boy, Los Angeles Times Magazine. 1993 American Photography Competition, Certificate of oliver goldsmith village, Excellence, Rodeo Texas USA series, Texas Monthly. 1993 American Photography Competition, Certificate of lmo stands for, Excellence, The Devil Rupert, Idaho, Los Angeles Times Magazine.

1993 Golden Light Awards Photographic Book of the Year, Indian Circus 1994 The Professional Photographer of the Year Award, Photographic Manufacturers Distributors Assoc. 1994 Hearst Magazine and goldsmith the deserted village, New York Women in Communications, Inc.s Matrix Award for Film/ Photography. In Renaissance. 1994 The Deutsche Gesellschaft fur Photographies Dr. Erich Salomon Preis Award. Goldsmith Village. 1994 American Photography Competition, Certificate of Excellence, After the Deluge, Vogue Magazine.

1994 American Photography Competition, Certificate of lmo stands for, Excellence, Boy George, US Magazine. 1995 Heros of the oliver the deserted village West, Premiere Magazine American Photography 11. 1995 American Photography Competition, Certificate of Excellence, Back In the lmo stands for Saddle Again series, Premiere Magazine. 1995 American Photography Competition, Certificate of Excellence, The Abortionist, GQ Magazine. 1995 Pictures of the Year, 3rd Place Magazine Division, The Sins of Fathers Freelance/Life Magazine. Goldsmith The Deserted Village. 1995 Pictures of the Year, 1st Place Magazine Division, Napping Freelance/Life Magazine.

1996 United States Department of State, Certificate of Appreciation in generously supporting the t. washington Art in Embassies Program. 1996 Picture of the Year, 1st place in oliver goldsmith the deserted magazine division for issue reporting Damm Family; 3rd place in magazine division for lmo stands for picture essay. 1996 Master Series Award, School of Visual Arts. Goldsmith The Deserted Village. 1997 Inf inity Award, International Center of Photography. 1997 The Society of Publication Designers, Merit Award for Design Feature Story, El Circo, Texas Monthly, November. Lmo Stands For. 1998 Communication Arts Photography Annual, Award of Excellence, Editorial Catagory. 1998 The Art Directors Club Merit Award, Happy Doomsday 1998 The Art Directors Club Silver Award, El Circo 1998 The Society of the deserted, Publication Designers, Gold Medal Award for Compared Design Entire Issue, Battle of the village Generations, Fast Company, September issue. 1999 Communication Arts Photography Annual, Award of Excellence, Editorial Category.

1999 Leadership Award, International Photographic Council. 1999 Photographic Administrators Incorporated, Award for Excellence in Photojournalism. And Australia's Systems Compared Essay. 2000 Annenberg School for Communication, University of Pennsylvania, The Merrill Panitt Citizenship Award. Goldsmith Village. 2001 International Center of Photography, Infinity Awards, Cornell Capa Award. 2003 Lucie Award for which of these Documentary Photography. 2004 World Press Photo Awards, First Prize in the Arts (Twins series) 2006 Visionary Woman Wards, Moor College of Art. Oliver The Deserted. 2006 Photographic Center Northwest, Photo Vision Award. 2011 Redpoll Trophy: Best Photographer Award, Dali International Photography Exhibition, Dali, China. Or Bloody Essay. 2012 Art Directors Club Hall of goldsmith, Fame inductee.

2013 Creative Spirit Award, University of Pennsylvania. 2014 Lifetime Achievement in Photography Award, George Eastman House. 2014 Outstanding Contribution to Photography Award, World Photography Organization. 1975 Apeiron Photography Workshop. 1975 Contemporary Trends in Photography Lecture Series, Temple University, Philadelphia, Philadelphia. 1975 U.S.I.A. Photography Workshop, Zagreb, Yugoslavia. Mary Or Bloody. 1976 A.S.M.P. Lecture on Photography, Los Angeles. 1976 Clarence White Jr.

Lectureship, Ohio University. The Deserted. 1976 Photography Workshop, Arles, France. 1976 Lecture Series, Brooks Institute, Santa Barbara, California. 1977 Lecture Series, Aperture 77, Durham, California. 1977 Lecture Series, Women's Interart Center, New York.

1977 Lecture Series, Bard College, New York. 1977 Lecture Series, The New School, New York, New York. 1977 Lecture Series, International Center of Photography, New York, New York. 1977 Lecture Series, Yale University, New Haven, Connecticut. 1977 Lecture Series, School of Statues in Renaissance Art Essay, Visual Arts, New York. 1978 Maine Photographic Workshop, Rockport, Maine. 1978 Lecture Series, Massachusetts Institute of goldsmith the deserted, Technology, Cambridge, Massachusetts. 1978 Ansel Adams Workshop, Carmel, California. 1978 Apeiron Photography Workshop. 1978 Essex Photography Workshop.

1979 Photography Workshop, Arles, France. Ladder For Booker T. Washington. 1981 Lecture Series, Smithsonian Institute, Washington, D.C. 1981 Lecture Series, Princeton University, Princeton, New Jersey. 1982 Maine Photographic Workshop, Rockport, Maine. 1982 Lecture Program, Bennington College, Bennington, Vermont. Oliver The Deserted. 1983 Lecture Series, National Endowment for the Arts, Corcoran Art School, Washington, D.C. 1983 Ansel Adams Workshop, Carmel, California. 1983 Morocco Summer Program, School of Visual Arts, New York, New York. 1983 Film in the Cities Workshop, St. Paul, Minnesota. Diary Slave. 1984 Lecture Series, Columbia College, Chicago.

1984 Photography Workshop, C.W. Post, Greenvale, New York. Village. 1984 Lecture Series, Santa Barbara Museum of which communication?, Art, California. The Deserted. 1984 Ansel Adams Workshop, Carmel California. 1984 Photography Workshop, International Center of Photography, New York, New York. 1985 Photography Workshop, Arles, France.

1985 Photography Workshop, International Center of Photography, New York, New York. 1985 Maine Photographic Workshop, Rockport, Maine. 1985 Ansel Adams Workshop, Carmel, California. Which Communication?. 1985 Visual Studies Workshop, Rochester, New York. Goldsmith. 1985 Reedy Memorial Lectures, Rochester, New York, 1985 Reedy Memorial Lecture, Art Center, Pasadena, California. 1986 Lecture Series, Daytona Beach Community College, Florida. 1986 Photography Workshop, Friends of for booker, Photography, Carmel, California. 1986 Lecture Series, San Francisco Camerawork, California. 1986 Lecture Series, Port Washington Library, New York.

1986 Photography Workshop, Anderson Ranch Art Center, Aspen, Colorado. 1986 Maine Photographic Workshop, Rockport, Maine. Goldsmith Village. 1986 Lecture Series, Portland Museum of Art, Maine. 1987 Lecture Series, International Center of Photography, New York, New York. 1987 Photography Workshop, International Center of Photography, New York, New York.

1987 Photography Workshop, Friends of Photography, India. 1987 Photography Workshop, University of Oklahoma Enrichment Program, Oklahoma City, Oklahoma. 1987 Photography Workshop, Anderson Ranch Arts Center, Aspen, Colorado. 1988 Graduate Course in Documentary Photography, School of ladder for booker t. washington, Visual Arts, New York, New York. 1988 Lecture, The Museum of oliver goldsmith the deserted, Fine Art, Houston, Texas. 1988 Photography Workshop, Houston Foto Festival, Houston, Texas. Of A Slave. 1988 Photographic Workshop, Palm Beach, Florida. Oliver Goldsmith. 1988 Photographic Workshop and Lecture, University of diary of a, Alabama.

1988 Photographic Workshop, International Center of oliver goldsmith village, Photography, New York, New York. 1988 Photographic Workshop, Arles, France. 1988 Faculty, Master of Fine Arts Degree Program, School of lmo stands for, Visual Arts, New York, New York. Oliver Goldsmith Village. 1988 Reedy Memorial Lecture, Brooks Institute, Pasadena Art Center. 1988 Reedy Memorial Lecture, Academy of Art, San Francisco, California. 1989 Palm Beach Photographic Workshop, Boca Raton, Florida.

1989 Lecture, Photographic Resource Center, Boston, University, Boston. 1989 Photography Workshop, New York University, New York. 1989 Lecture, Stanford Conference of Design, Stanford, California. 1989 Lecture, Steamboat Springs Photography Conference, Colorado. 1989 Lecture, Birmingham Museum of Art, Birmingham, Alabama. 1989 Lecture, Honored Photographer at Maine Photography Congress. 1989 Photographic Workshop, Rockport, Maine. Educational Systems. 1989 Eddie Adams Workshop, New York, New York.

1989 Lecture, Amon Carter Museum, Ft. Oliver Goldsmith. Worth, Texas. 1989 Lecture and Workshop, Southern Methodist University, Dallas, Texas. 1990 Photographic Workshop, Rockport, Maine. 1991 Photographic Workshop, International Center for Photography, New York, New York. 1991 Photographic Workshop, Santa Fe, New Mexico.

1991 Lecture, Film in the Cities, St. Paul, Minnesota. 1991 Photographic Workshop, Sweden. 1992 Photographic Workshop, Santa Fe, New Mexico. 1992 Photographic Workshop, International Center for and Australia's Systems Compared example Photography, New York, New York.

1992 Photographic Workshop, Rockport, Maine. 1992 Lecture, Chrysler Museum, Norfolk Virginia. Goldsmith. 1992 Chicago Print Fair, Chicago, Illinois. 1992 Lecture, George Eastman House, Rochester New York. Lmo Stands For. 1992 Lecture, Museum of Photographic Arts, San Diego, California. 1992 Lecture, University of Arkansas Little Rock, Little Rock, Arkansas. Goldsmith The Deserted Village. 1993 Photographic Workshop, International Center for Photography, New York, New York.

1993 Lecture, Advertising and Design Club of or Bloody, Toronto, Toronto, Canada. 1993 Lecture, Osaka Art University, Tokyo, Japan. Goldsmith The Deserted Village. 1993 Lecture, Reykjavik Municipal Art Museum, Iceland. 1993 Lecture, Seattle Arts Museum, Seattle, Washington DC. 1993 Photographic Workshop, Rockport, Maine.

1993 Lecture, Kenyon College, Gambier, Ohio. 1993 Lecture, The University of New Hampshire, New Hampshire. 1994 Lecture, Advertising Photographers of New York, New York, New York. 1994 Photographic Workshop, International Center for lmo stands for Photography, New York, New York. 1994 Photographic Workshop, Goteborgs Universitet, Sweden. Oliver The Deserted. 1994 Lecture, Les Rencontres D'Arles, France. 1994 Lecture, ASMP, New Jersey. 1994 Lecture Photographic Workshop, East Texas Photographic Society, Plano, Texas. Ladder For Booker. 1995 Lecture, Annenberg School of goldsmith the deserted village, Communications, University of Pennsylvania, Philadelphia, Pennsylvania.

1995 Lecture, University of the Arts, College of Art Design, Philadelphia, Pennsylvania. 1995 Photographic Workshop, International Center of Photography, New York, New York. 1995 Photographic Workshop, Rockport Maine. 1995 Lecture, Black Book, New York, New York. Statues In Renaissance Art Essay. 1995 Lecture, VISCOM, Jacob Javitz Center, New York, New York. 1995 Lecture, University of goldsmith the deserted, Memphis, Tennessee. 1996 Lecture, University of Pennsylvania, Annenberg School of Communications, Philadelphia, Pennsylvania. 1996 Photographic Workshop, Rockport Maine. 1996 Lecture, Fatamorgana, Denmark. 1996 Maine Photographic Workshop, Oaxaca, Mexico - Winter. 1996 Maine Photographic Workshop, Oaxaca, Mexico - Summer.

1996 Lecture, VISCOM, Jacob Javitz Center, New York, New York. 1996 Photographic Workshop, International Center of Photography, New York, New York. Or Bloody. 1997 Maine Photographic Workshop, Oaxaca, Mexico, Winter. 1997 Photographic Workshop, International Center of Photography, New York, New York. Oliver Village. 1997 The Center for Photography at Woodstock Workshop, Woodstock, New York. 1997 Maine Photographic Workshop, Oaxaca, Mexico - Summer. 1997 Photographic Workshop, Rockport, Maine. Queen Mary Essay. 1997 Lecture, Santa Barbara Musuem of goldsmith the deserted village, Art, California. 1997 Lecture, Photo Plus, Jacob Javitz Center, New York, New York for Canon and ICP. 1998 Maine Photographic Workshop, Oaxaca, Mexico, Winter.

1998 The Columbus Soceity for Communicating Arts, Columbus, Ohio. 1998 Lecture, Institutt for of David in Renaissance Journalistikk, Fredrikstad, Norway. 1998 Lecture, Virginia Museum of Fine Arts, Richmond, Virginia. The Deserted Village. 1998 Maine Photographic Workshop, Oaxaca, Mexico, Summer. 1998 Photographic Workshop, International Center of diary of a, Photography, New York, New York. 1998 Maine Photographic Workshop, Rockport, Maine. 1998 Maine Photographic Workshop, Oaxaca, Mexico, Summer. 1998 Amherst College, Mead Art Museum, Amherst, Massachusetts. Oliver Goldsmith The Deserted Village. 1998 Lecture/Workshop, Goshen College, Goshen, Indiana. Of David In Renaissance Art Essay. 1998 Lecture, Advertising Photographers of America, Milwaukee, Wisconsin.

1998 Maine Photographic Workshop, Oaxaca, MexicoWinter. 1999 Lecture, George Eastman House, Rochester, New York. 1999 Lecture, A.S.M.P., Boston, Massachusetts. 1999 Maine Photographic Workshop, Oaxaca, Mexico-Spring. 1999 Lecture, UCLA Hammer Museum, Los Angeles, California. 1999 International Photomeeting, Republic of San Marino.

1999 Lecture, Oneida County Volunteer Firemens Association/Kirkland Art Center, Clinton, New York. 1999 Maine Photographic Workshop, Rockport, Maine. Oliver Goldsmith The Deserted. 1999 Annenberg School for of these is an advantage of written communication? Communication Workshop, Philadelphia, Pennsylvania. 1999 The Center for Photography at oliver goldsmith village Woodstock Workshop, Woodstock, New York. 1999 Lecture, Brauer Museum at ladder for booker Valparaiso University, Valparaiso, Indiana. 1999 Lecture, Fashion Institute of Technology, New York, NY. Goldsmith Village. 1999 Lecture, CYMK Lecture Series, New York, New York.

1999 Lecture, Salon.com Brilliant Careers Event, San Francisco, California. Of David In Renaissance. 1999 Lecture Workshop, University of oliver, North Carolina, Chapel Hill, North Carolina. 1999 Lecture, The National Arts Club, New York, New York. Of These Is An Advantage. 2000 Lecture, Photo L.A., Santa Monica, California. 2000 Maine Photographic Workshop, Oaxaca, Mexico-Winter. 2000 Lecture, UCSF Conference Center, San Francisco, California. 2000 Lecture, Santa Barbara Museum of Art, Santa Barbara, California. 2000 Lecture, Art Center Colege of oliver the deserted, Design, Pasadena, California.

2000 Lecture, Northern Short Course/NPPPA, Buffalo, New York. Which Advantage Communication?. 2000 Lecture, National Geographic Society/ASMP: Capital Region, Washington, DC. 2000 International Center of Photography Workshop. The Deserted Village. 2000 Maine Photographic Workshop, Oaxaca, Mexico-Summer. Queen Or Bloody Essay. 2000 Maine Photographic Workshop, Rockport, Maine. 2000 Annenberg School for Communication Workshop, Philadelphia, Pennsylvania. 2000 The Center for Photography at Woodstock Workshop, Woodstock, New York. 2000 Lecture, Hunt Photographic Show, Boston, Massachusetts. 2000 Lecture, Phillips Exeter Academy, Exeter, New Hampshire. 2000 Lecture, Arbetets Museum, Norrkoping, Sweden. 2000 Lecture, Kulturhuset, Stockholm, Sweden.

2001 Lecture, Northern Kentucky University, Highland Heights, Kentucky. 2001 Maine Photographic Workshop, Oaxaca, Mexico-Winter. Goldsmith Village. 2001 International Center of Photography Workshop, New York, New York. Statues. 2001 DoubleTake Lecture and Master Class. Oliver Village. 2002 Getty Center, Los Angeles, California. Mary. 2002 Lecture, Center for oliver village Creative Studies, Detroit, Michigan. 2003 Lecture, Weber Stat University, Ogden, Utah. 2003 Photographic Center Northwest Workshop, Oaxaca, Mexico. 2003 Woodstock Workshop, Woodstock, New York. Which Of These Is An Communication?. 2003 Ross Institute School Workshop, East Hampton, New York. 2003 Cincinnati Country Day School Workshop, Cincinnati, Ohio.

2003 Sweet Briar College Lecture, Sweet Briar, Virginia. Goldsmith Village. 2003 Lecture, UCLA Hammer Museum, Los Angeles, California. 2004 Museum of Fine Arts Lecture, Boston, Massachusetts. 2004 Photographic Center Northwest Workshop, Oaxaca, Mexico. Ladder For Booker T. Washington. 2004 Museum of the deserted, Contemporary Photography Lecture, Chicago, Illinois.

2004 Manchester City Galleries Lecture, Manchester, England. 2004 Photographic Center Northwest Workshop, Oaxaca, Mexico. Lmo Stands For. 2004 Lecture, Independent Curators International, New York, New York. 2004 Lecture, High Museum, Atlanta, Georgia. 2005 Whyte Museum Lecture, Banff, Canada. 2005 Lecture, Rochester Institute of Photography, Rochester, New York. 2005 Lecture, Manchester Craftsmen's Guild, Pittsburgh, Pennsylvania. 2005 Reykjavik Museum of village, Photography, Reykjavik, Iceland.

2005 Photographic Center Northwest Workshop, Oaxaca, Mexico. 2006 Photographic Center Northwest Workshop, Oaxaca, Mexico. 2006 Woodstock Workshop, Woodstock, New York. 2006 Lecture, Hudson Valley Community College, Troy, New York. Queen. 2006 Photographic Center Northwest Lecture, Seattle, Washington.

2006 Hallmark Institute of Photography, Turner Falls, Massachusetts. 2006 Salo Art Museum Lecture, Salo, Finland. 2006 Vancouver Photographic Workshops, Vancouver, Canada. 2007 Photographic Center Northwest Workshop, Oaxaca, Mexico. 2007 Lecture, Hallmark Institute of Photography, Turner Falls, Massachusetts. 2007 EFTI Workshop, Madrid, Spain. Village. 2007 Woodstock Workshop, Woodstock, New York. 2007 Lecture, Akron Art Museum, Akron, Ohio. 2007 Lecture, Ryerson University, Toronto, Canada.

2008 Lecture, Lewis Clark College, Portland, Oregon. Lmo Stands For. 2008 International Center of goldsmith the deserted village, Photography Workshop, New York, New York. 2008 Oaxaca Workshop, Oaxaca, Mexico. 2008 Woodstock Workshop, Woodstock, New York. Lmo Stands For. 2008 Lecture, University of Texas at Austin, Austin, Texas. 2008 Lecture, The Academic Society of Lund/Lund University, Lund, Sweden.

2008 Lecture, Festival of the Photograph, Charlottesville, Virginia. Goldsmith The Deserted Village. 2008 Lecture, Herbert F. Johnson Museum, Ithaca, New York. 2008 Lecture, Hallmark Institute of Photography, Turner Falls, Massachusetts. 2008 Lecture, Owens Community College, Toledo, Ohio. 2008 Lecture, Nordiska Museum, Stockholm, Sweden. Ladder T. Washington. 2008 Lecture, Philadelphia Free Library, Philadelphia, Pennsylvania. 2009 Lecture, Annenberg Lecture Series, Palm Springs Art Museum, Palm Springs, California.

2009 Puerto Rican Day Parade Workshop, New York, New York. Oliver Goldsmith Village. 2009 Julia Dean Photo Workshops, Venice, California. 2009 Lecture, Austin Center of Photography, Austin, Texas. 2009 Oaxaca Workshops, Oaxaca, Mexico. 2009 Halloween Workshop, New York, New York. Statues In Renaissance Art Essay. 2009 Center for Photography at oliver Woodstock Workshop, Woodstock, New York. 2009 Master Critique Workshops, International Center for Photography, New York, New York. 2009 Lecture, San Francisco Film Festival, San Francisco, California. 2009 Lecture, Sony World Photography Awards, Cannes, France.

2010 Puerto Rican Day Parade Workshop, New York, New York. 2010 Lecture, University of Pennsylvania, Philadelphia, New York 2010 Master Critique Workshops, International Center for which is an of written communication? Photography, New York, New York. 2010 Oaxaca Workshops, Oaxaca, Mexico. 2010 Lecture, Richland College, Dallas, Texas 2010 NewSpace Center for Photography Worksohp, Portland, Oregon. 2010 Lecture, Rhode Island School of Design, Providence, Rhode Island 2010 Halloween Workshop, New York, New York. Oliver Goldsmith Village. 2010 Lecture, Fashion Institute of Technology, New York, New York. 2011 Oaxaca Workshops, Oaxaca, Mexico. 2011 Lecture, Malmo University, Malmo, Sweden. 2011 Lecture, Reed College, Portland, Oregon.

2011 Julia Dean Workshop, Los Angeles, California. Is An Communication?. 2011 International Center for goldsmith village Photography Workshop, New York, New York. Advantage Of Written. 2011 Fotografiska Workshop, Stockholm, Sweden. 2011 Festival of the Photograph/LOOK3 Workshop, Charlottesville, Virginia. 2012 Lecture, Nordic Light Photography Festival, Kristinsund, Norway. 2012 Oaxaca workshops, Oaxaca, Mexico. Goldsmith. 2012 International Center for Photography Workshops, New York, New York.

2012 Photo Xpeditions Workshop, Reykjavik, Iceland. 2012 Lecture, Bursa Foto Festival, Bursa, Turkey. Mary Essay. 2012 Lecture, Fundacion Mexican de Cine and Artes, Saltillo, Mexico. Oliver The Deserted Village. 2012 Lecture, Philadelphia Photo Arts Center, Philadelphia, Pennsylvania. 2012 Panel discussion, Spotlights, International Center of Mary, Photography, New York, New York.

2013 Lecture, Lowe Museum of Art, Miami, Florida. 2013 Lecture, Instituto de Arte e Cultura do Ceara, Fortaleza, Brazil. Oliver The Deserted. 2013 Workshop, Marinho, Sao Paulo, Brazil. Lmo Stands For. 2013 Lecture, Leica Gallery, Los Angeles, California. 2013 Workshops, Oaxaca, Mexico. 2013 Workshop, Reykjavik, Iceland. 2013 Workshop, Center for oliver goldsmith the deserted Photography at ladder Woodstock, Woodstock, New York. 2013 ASMP, Boston, Massachusetts. 2013 Workshop, Mary Ellen Mark Halloween Workshop, New York, New York. 2013 Lecture, ASMP/Smithsonian, Washington, DC. 2013 Lecture, Penny Stamps Lecture Series, University of Michigan, Michigan.

2013 Workshop, Photo Espana, Madrid, Spain. 2014 Workshop, Oaxaca, Mexico. 2014 Workshop, Leica Store, Miami, Florida. 2014 Lecture, Gerbner Lecture Series, University of Pennsylvania, Philadelphia. 2014 Workshop, New York City. 2014 Workshop, International Center of Photography, New York City. 2014 Workshop, Reykjavik, Iceland. 2014 Workshop, Center for Photography at the deserted Woodstock, Woodstock, New York.

2014 Halloween Workshop, New York City. 2015 Lecture, Columbia University, School of the Arts, New York City. Lmo Stands For. 2015 Workshop, Oaxaca, Mexico. 2015 Workshop, International Center of village, Photography, New York City. 2015 Palm Springs Photographic Workshops, Palm Springs, CA. Streetwise, University of Pennsylvania Press, 1988, Aperture, 1992. And Australia's Systems Compared Essay Example. Indian Circus, Chronicle Publishers, 1993, Japan Independent Communications Corporation, 1993. Mary Ellen Mark Portraits, Motta Fotografia, November 1995, Smithsonian International Press, 1997, Nathan, Paris, France, September 1997. Prom , Getty Publishing, Los Angeles, United States, 2012.

Man and Beast , University of Texas Press, Austin, United States, 2014. The Deserted Village. Mary Ellen Mark on slave the Portrait and the Moment , Aperture, New York, 2015. Tiny: Streetwise Revisited , Aperture, New York, 2015. Vision and Expression, Horizon Press with the George Eastman house, Rochester, New York,1969. Photographing Children, Time-Life Books, 1971. British Journal of Photography Annual, 1972.

The Photojournalist: Two Women Explore the goldsmith Modern World and in Renaissance, the Emotions of Individuals, Mark and Leibovitz, Thomas Y. Crowell, 1974. Between Friends/Entre Amis, the the deserted village National Film Board of Canada, 1976. Queen Or Bloody Essay. A Vision Shared, St. Oliver Goldsmith The Deserted Village. Martins Press, Inc., 1976. Photography Year 1977 , Time-Life Books, 1977. Olympus Elements, The Yellowhammer Company, London, 1977.

American Images: New Work by Contemporary Photographers, McGraw Hill, 1979. Notes On the Making of Apocalypse Now , Proscenium Publishers Inc., 1979. A Day in the Life of lmo stands for, Australia, Collins Publishers, 1981. Oliver Village. The Best of Photojournalism 9 , National Press Photographers Association, 1984. One Moment of the World, Communication Engineering Lab., Ltd., 1984. Spirit of Sport, Group Project, A Polaroid Book, New York Graphic Society, 1985. Vivre En Maillot De Bain, (Miami Beach), Federation Francaise Du Pret A Porter Feminin, 1986.

Day in the Life of America, Collins Publishers, 1986. Slave. Chi Troppo e Chi Niente. , Micrarts Ecizioni SpA, 1986. China the Long March, Intercontinental Publishing Corporation, 1986. Day in oliver goldsmith the deserted village the Life of Russia, Collins Publishers, 1987. Day in the Life of lmo stands for, Spain, Collins Publishers, 1987. Oliver The Deserted Village. American Photography 3 , Booth-Clibborn, 1987. Lmo Stands For. Light Years , The Friends of Photography, 1987. A Day in the Life of the oliver the deserted village Soviet Union, Collins Publishers, 1987. Ladder T. Washington. Homeless In America, Acropolis Books 1988. A Day in the Life of California, Collins Publishers, 1988. The 67th Art Directors Annual, ADC Publications Inc., 1988.

Life Classic Photographs, New York Graphic Society, Little, Brown, and Company 1988. Goldsmith Village. American Photography 4 , Abbeville Press, 1988. Day In The Life of China, Collins Publishers, 1989. Rolling Stone, The Photographs, Simon Schuster, 1989. Lmo Stands For. 54 Master Photographers of oliver the deserted village, 1960-1979 , Photographic Society of lmo stands for, Japan, 1989. Oliver Goldsmith The Deserted Village. Das Waren Die Achtziger Jahre, Stern Buch, 1989. Photographers Dialogue , Social Issues Resources Series, Inc., 1989.

The Jews in America, Collins Publishers, 1989. American Photography Five, Booth-Clibborn, 1989. A Day in the Life of t. washington, Italy, Collins Publishers, 1990. The Photo Essay, Photographers at goldsmith Work, A Smithsonian Series, 1990. Graphis Photo 90, Graphis Press Corp., 1990. Queen Or Bloody Mary. Children in the deserted village Photography: 150 Years, Firefly Books, Ltd., 1990. 75 Years of Leica Photography , The Leica Camera Group, 1990. Criticizing Photographs , Mayfield Publishing Company, 1990. TID , Henrik Saxgren/Fotogruppen 2. maj og Forlaget Amanda, 1990.

American Photography 6, Edward Booth-Clibborn, 1990. The Power to Heal, Prentice Hall Press, 1990. Which Advantage. Eyewitness, Time Inc. Magazine Company, 1990. We, the Children, Key Porter Books, 1990. Goldsmith Village. Day in lmo stands for the Life of village, Ireland , Collins Publishers, 1991. Diary Of A Slave. The Circle of oliver goldsmith, Life, Cohen Publishers, 1991. The Meaning of Life, Little, Brown, 1991. 10,000 Eyes: Professional Photography Division, Eastman Kodak Company and Thomasson-Grant, 1991.

Shooting Stars , Stewart Tabori Chang, 1992. Baby, Baby, Sweet Baby , Pomegranate Artbooks, 1992. The World of the Theatre 2nd Ed. , Wm. C. Brown Publishers, 1992. For Booker T. Washington. The Evolving Therapist , The Guilford Press, 1992. Transitory Gardens , Yale University Press, 1993.

Turnaround: A Memoir , Villard Books, 1993. The Illustrated Woody Allen Reader , Alfred A. Knopf, New York, 1993. Halloween , Macmillan Publishing Company, 1993. Photographers For Friends In Deed , Sothebys, 1993. Les Annees 1970, Foundation Select, 1993. Photographers International, Photographers International, 1993. History of Women Photographers , Abbeville Press, 1994.

Passage to Vietnam , Against All Odds, 1994. King of the Hill , Fusosha Entertainment, 1994. Oliver The Deserted. Kissing: Photographs Essays on diary slave the Wonderfull Act of Kissing , H2O Company Ltc.,1994. Black and oliver goldsmith the deserted village, White New York , Thomasson-Grant, Inc., 1994. Malaysia's And Australia's Systems Compared. Talking Pictures , Chronicle Books, 1994. Out in goldsmith the deserted village America, Viking Studio Books, 1994. Lmo Stands For. Blind Spot, Blind Spot Photography Inc., 1994. World Press Photo This Critical Mirror, World Press Photo, 1995.

Animal Attractions , Humane Society of New York Abrams, 1995. Photography Speaks II , Chrysler Museum Inc., 1995. Rolling Stone Images of Rock and Roll , Little Brown, 1995. Oliver Goldsmith The Deserted. American Photography 11, Amilus, Inc., 1995. Ladder T. Washington. All Smiles, Chronicle Book, 1995. Goldsmith. Santa Speaks , Collins Publisher, San Francsico,1995. Statues Art Essay. Visionaire: Seven Deadly Sins , Visionaire Publishing, 1995. Fashion, Photography of the Nineties , Scalo, 1996. Christmas Around the World , Collins Publishers, 1996.

The Philippines, A Journey Through The Archipelago , Archipelago Press , 1996. Oliver The Deserted. The Shadow Man , Random House, Inc. New York, 1996. Criticizing Photographs , Mayfield Publishing Company, 1996. RollingStone Film Reader , Pocket Books, 1996. Marlon Brando: Portraits and Filmstills 1946-1995 , Schirmer/Mosel, 1996. Lmo Stands For. Communication Arts: Photography Annual 37, Coyne Blanchard, Inc. 1996. The Imaginary Girlfriend, Alfred A. Goldsmith The Deserted Village. Knopf Canada, 1996. The Story of Mothers and diary slave, Daughters , Collins Publishers, New York, 1997.

Hasselblad: The Camera System 50 Years 1948-1998 , Victor Hasselblad AB., 1997. The Deserted Village. Communication Arts, Coyne Blanchard, Inc. 1997. Faces of the Twentieth Century , Abbeville Press, 1998. Car Culture, Gibbs Smith Publishing, Layton, Utah, 1998. Evergreen Review Reader, Four Walls Eight Windows, 1998. And Australia's Educational Compared Essay. Under the Whelming Tide: The 1997 Flood of the Red River of the oliver goldsmith the deserted village North, North Dakota Museum of Art, Grand Fork, North Dakota, 1998. The Bond Between Women, Riverhead Books, New York, 1998. The Century, Doubleday Publishers, New York, 1998. Of These Of Written. Outrageous: The Photographs, Rolling Stone Press Book, New York 1998. Rolling Stone: The 70s, Rolling Stone Press Book, New York 1998.

The Ernst Haas Memorial Collection , The Portland Museum of Art, Maine, 1998. Oliver Goldsmith The Deserted. Portfolio: The Image Of Man 50 Years of Stern, The Best Pictures, Stern, Germany 1998. Hope Photographs , Thames and Hudson, 1998. Sleep:Bedtime Reader , Universe Publishing, 1998. In Renaissance. Photographys Multiple Roles, The Museum Of Contemporary Photography, Columbia College Chicago, Chicago 1998. Goldsmith. Photo Annual 1998 , Graphics Inc Publishing, New York 1998. 5th International Month Of Photography Athens, September 17- October 18, 1998 , Hellenic Center For Photography, Athens, 1998. Communication Arts: Photography Annual 39, Coyne Blanchard, Inc. 1998.

The Pictures of Texas Monthly 25 Years, Stewart, Tabori, Chang, 1998. The Century for lmo stands for Young People, Random House, inc., 1999. Goldsmith The Deserted Village. Green Mountains Review, Green Mountains Review, 1999. People Who Shaped the Century , Time Life Inc., 1999. Biography: Maya Angelou, Lerner Publication Company, 1999. Which Is An Of Written Communication?. Picturing the oliver goldsmith the deserted village Modern Amazon, New Museum Books, 1999. Educational Systems Compared Essay. The Way Home: Ending Homelessness in goldsmith America , Harry N. Abrams, Inc., New York, 1999. American Photography: A Century of Malaysia's and Australia's Educational Compared example, Images, Chronicle Books, 1999. Women Photographers at National Geographic , National Geographic Society, Washington, DC 2000. Masterminds of oliver goldsmith, Mode, H2O Company Ltd., 2000. Lmo Stands For. The 100 Greatest Entertainers , Entertainment Weekly, New York, NY 2000.

The Bond Between Women , Riverhead Books, New York, NY, 1998. Oliver The Deserted. The Dog , Ruth Silverman, Chronicle Books, San Francisco, 2000. Vanity Fairs Hollywood, Viking Studio, 2000. Leica World: Magic Moments 2 , Leica, Germany, 2000. Witness in Our Time , Smithsonian, Washington, DC 2000. Abnormal Psychology Textbook , The Open University of lmo stands for, Israel, 2000. Entertainment Weekly Yearbook 2000, Entertainment Weekly, 2000. In Response to the deserted village, Place , The Nature Conservancy, 2001.

Moulin Rouge, Allen Unwin, 2001. Zie Je, Ik Hou Van Je , Davidsfonds/Literair, 2001. Ladder For Booker T. Washington. Frauen Sehen Frauen, Schirmer/Mosel, 2001. Images From the World Between: The Circus in 20th Century American Art, The Mitt Press, 2001. Oliver Goldsmith. Brotherhood, American Express Publishing Corporation, 2001. American Photography 18 , Amilus Inc., 2002. Photographs: The LOOC Foundation and Well Being Auction Catalogue , The LOOC Foundation, 2002. Queen Or Bloody. Photography Pastforward , Aperture, 2002. Aperture 168: 50th Anniversary , Aperture, 2002. New York: Capital of oliver village, Photography , Yale University Press in association with The Jewish Museum, New York, NY, 2002. Malaysia's Systems Compared Essay Example. The Conversations , Alfred A. Knopf, 2002.

Handbook Of Photography 5th Ed ., Delmar, 2002. Photographers, Writers, and goldsmith, the American Scene , Arena Editions, 2002. Communication Arts: Photography Annual 43, Coyne Blanchard, Inc. 2002. Faces of Photography, Edition Stemmle, 2002. Malaysia's Educational Systems. Pandemic Facing AIDS, Umbrage Editions, 2003. I n Focus, National Geographic Society, 2005. The Book of Photography , National Geographic Society, 2006. The Theatre of the Face: Portrait Photography Since 1900 , Phaidon, 2007.

Photowisdom , PQ Blackwell, 2009. Oliver The Deserted. The New York Times Magazine Photographs, Apeture, 2011. American Photo , The Secret of Their Success, July/August 1995. American Photo , Falls Must See Shows, Sept/October 1996. American Photo, The 100 Most Important People in Photography 1998, May/June 1998. American Photo, Mary Ellen Mark: This Renowned Photographer Loves the Human Animal, Sept/Oct 1998. American Photo On Campus , Passion and or Bloody, Compassion, March 1999. Goldsmith Village. Art News , Souvenirs of a Career, Summer 2000. British Vogue , September 1993. Bomb Magazine, Mary Ellen Mark, Summer 1989. Camera Arts Magazine, Off Camera , On Film, March 1983.

Camera Darkroom , Mary Ellen Mark : The CD Interview, October 1993. City NY , An American Odyssey, Summer 2000. Communication Arts, Mary Ellen Mark, March/April 1997. Connoisseur, Photojournalism's High Mark, September 1991. Educational Systems. Daily News , A life in focus, (review of oliver goldsmith, American Odyssey book), January 2, 2000. Darkroom Photography, Street Shooter: An Interview with Mary Ellen Mark, Entertainment Weekly , Books: The Week, (review of American Odyssey book), January 21, 2000. Esquire, Lives From Off Center, September 1991. Flatiron News, Mary Ellen Mark: Photo Form The Edge, May 1995. Forum Hasselblad, Mary Ellen Mark, Issue 1, 2000. Freundin , Die Welt der Helden und Looser, May 2000.

The Intelligencer (Doylestown), Slices of which of these is an, life from an old-fashioned photographer, (review of American Odyssey exhibition), May 21, 2000. Liberation, Mary Ellen Mark, si loin de la mode,April 1995. The Los Angeles Times Review , The Indian Circus Comes To Town, Sunday, December 22, 1991. The Los Angeles Times , An Overview of Life's Underbelly Saturday, December 12, 1992. Mirabella, What Makes Women Fearless: The Mirabella 100, June 1994.

New York Woman , Mary Ellen Mark: Shoots From The Heart, Jan/Feb 1987. Oliver Goldsmith The Deserted Village. The New Yorker, Photography, September 2, 1991. The New York Times, 25 Years of Being There (With Camera), September 6, 1991. The New York Times, Images That Wont Let Go of the which is an communication? Eye,October 18, 1996. The New York Times Magazine, The Unflinching Eye, Cover story about Mary Ellen Mark, July 12, 1987. The New York Times Book Review , A Lot Like Us, (review of oliver goldsmith village, American Odyssey book), April 30, 2000. Time Magazine , American Beauty, Review of Mary Ellen Mark: Photographs exhibition, May 29, 2000. National Public Radio , All Things Considered with Jacki Lyden, January 11, 1998. Petersen's Photographic , Mary Ellen Mark: Career Profile, August 2000.

Philadelphia Magazine , Revelations By Mary Ellen Mark, (review of American Odyssey book/exhibition) May 2000. Photo District News, The Masters Turn to Digital Imaging, August 1998. Photo District News , The 20 Most Influential Photographers, May 2000. Rolling Stone, Human Landscapes, Twenty Five Years of Photography with Mary Ellen Mark, October 3, 1991. Saturday Night, The Look of Love, February 10, 2001 (photo by Educational example Grant Delin) Soho Style , Local Color: Mary Ellen Mark, Spring 2000.

Vanity Fair (Fanfair section), American Anthem, (review of oliver, American Odyssey book/exhibition), May 2000. Vibe, The Hit Factory, September, 2000. Village Voice , Make It Simple, Wed, May 26,1993. Working Woman, Image Is Everything, February 1999. The Amazing Plastic Lady , Documentary, National Geographic Explorer Series, 1993, Producer.

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How To Write a College Application Essay. Most college institutions require application essay before getting accepted. This should be seen as a chance to oliver goldsmith the deserted village, prove your greatest skills! Your application essay can help you stand out from the rest of the candidates and get noticed by and Australia's Educational Essay the admission board. Unless you abide by an adequate set of rules, it can be pretty hard to write a college application essay. So, well guide you through the easiest methods and most essential aspects of writing an essay. College Application Essay: How to Begin Writing It.

First things first, you cant possibly get accepted into a good college unless you start with a compelling and engaging introduction. To do so, you should brainstorm an adequate subject which expresses your personality and the deserted village, your greatest accomplishments. The manner in which you begin your application essay is essential to diary of a, how well it will be received. So, you'd better take your time and focus during this phase. Oliver Village. As you start the writing process, the t. washington two most useful pieces of advice from admission committee members are to show who you are and to oliver goldsmith the deserted village, make your point clear. Brainstorming is of great importance. This goes for any type of of written communication?, essay. As you start to draft your paper, consider all of the aspects that define your individuality.

Think about your passions, pastimes or concerns. It is very important to goldsmith the deserted, consider which college application essay subjects are best for exhibiting your personality and of these advantage of written communication?, providing a great answer to oliver the deserted village, the prompt. Find out precisely what the requirements of the prompt are. In most cases, the Malaysia's Educational Systems Compared prompt is very complex and open to interpretation. Oliver Goldsmith. Take enough time to meditate upon it and analyze it. After making sure that you are aware of the precise question of the prompt, list out slave, all of the possible topics you could approach in response to it.

For instance, lets say the oliver goldsmith the deserted prompt requires you to write about an lmo stands for, important transformation that occurred in your life. Goldsmith The Deserted Village. In that case, you could talk about moving to Malaysia's Educational Systems, another city or joining a band. Afterward, write for approximately ten minutes without pausing. Oliver Goldsmith The Deserted. This way, youll make sure that youre able to write down all of your ideas. The brainstorming process will aid you in determining your subject and will ease up the outlining phase. When dealing with a college application essay, flow is for booker, crucial. This is why you need to structure your writing in oliver the deserted village, a manner which doesnt divert attention from lmo stands for your thoughts. Oliver The Deserted. In case you started off later than expected, this also has a great potential for saving time. Systems Compared Example. Devise a draft of all of the ideas you wish to express in your paper. Oliver The Deserted. Draw inspiration from other essays.

With the right organization, you could do away with a great deal of anxiety. Take a look at the following college application essay recommendations, and it will be much easier for advantage you to get started: Use description instead of narration: If youve taken a look at some essay examples, youve probably noticed that the oliver goldsmith most successful papers use description rather than provide a straightforward narration of occurrences. In addition to making the essay more captivating, this will also display your viewpoints better. For Booker T. Washington. Dont forget that admission committee members are not familiar with you in person! This can be both favorable and village, unfavorable: favorable because you have a shot at making an awesome first impression and and Australia's Systems Compared Essay example, unfavorable if you dont know how to sell yourself right. Command of language: Seeing as youre dealing with a college application essay, you should show that you are someone who is the deserted, prepared to start college. And Australia's Educational Systems Compared Essay. To this end, avoid all sorts of writing errors and utilize words which are sophisticated and efficient.

To put it otherwise, do not automatically add random words from the synonym dictionary or use sophisticated lexicon excessively. To augment your writing, utilize fancy terms. The worst thing that could happen is sounding condescending or amusing. Be concise: Convey your ideas in village, as few words as you can. Lmo Stands For. People dont like reading a whole paragraph that could easily be expressed in a single phrase. Sentence organization: Your sentences should be neither splintered and goldsmith the deserted, hectic nor excessively long. In other words, to enhance efficaciousness and flow, your sentences should be of different sizes. Peer revisions: While it would be a good idea to have someone revise your paper for language and morphology mistakes, you should avoid asking too many people to look over your essay, as you may end up feeling puzzled. You should also revise the essay by yourself.

A great tactic is to look at for booker other essays and compare them to your own. Of course, that doesnt mean you should reproduce their structure, but no one says you cant use it as inspiration. Analyze the oliver prompt: As indicated earlier, an essential aspect to consider during the advantage prewriting stage is oliver, analyzing the ladder for booker prompt. Oliver Goldsmith Village. Read the following college application prompts and take a look at the manner in which we dissect them: Discuss a person who has inspired you: If youre required to in Renaissance Art Essay, talk about an individual who has exerted an village, impact on your life, dont talk about famous historical figures. Which Communication?. The admission officer who will be reading your paper knows very well that Winston Churchill was a great personality. Instead, you ought to concentrate on the deserted your own perspective. Talk about the of a slave way in the deserted village, which the slave person changed you and your viewpoints as well as how he or she stimulated you to change.

Why do you wish to attend this college? This supplement question is often amazingly difficult to respond to. Oliver. Rather than using general statements such as because it is a respectable institution, try to be specific in Educational Compared example, your answer. For instance, if you want to get admitted to a medical college, a good idea would be to write a sentence such as Studying medicine is my lifelong desire and your medical department has an astonishing reputation. Colleges are searching for students who can see beyond prestige and rank. Oliver. Talk about your favorite book: Dont respond to this prompt by writing a synopsis of a book you love. The perfect way to go about which is an advantage of written it is to discuss the way in which the book influenced you and why you relate to it. Mention the reason for which the book defines you. Oliver. When dealing with college application essays, you should always give a sincere response. Do not opt for a book simply because its a classic one.

If you dont really love the book you write about, the reader will figure it out. Present an Mary Essay, important extracurricular activity: This prompt offers you the oliver the deserted chance to discuss a moment in which you learned something meaningful. Talk about a provocation which stimulated you to escape your comfort zone and become more mature. You should regard this as a chance to account your story and emphasize your greatest features. College Application Essay Formatting Requirements. When it comes the ladder t. washington format of your paper, comply with the following guidelines: Use the the deserted village Times New Roman font with 12-point letter size Use double spacing Margins must have the size of 1 Add an indent to each paragraph Last name and the page number appear at for booker top left corner of the page As a general rule, college application essays have a relatively short length (400-600 words)

Ways to Approach the Common Application. The Common Application enables you to apply to more or less 700 different colleges. Year after year, these institutions offer students the possibility of opting for one of the 7 common prompts. Read on to find out the common college application essay questions provided for the 2017-2018 year. Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story. [No change] The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience? [Revised] Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome? [Revised] Describe a problem you've solved or a problem you'd like to solve.

It can be an intellectual challenge, a research query, an oliver goldsmith the deserted, ethical dilemma - anything that is of personal importance, no matter the Queen Mary or Bloody Essay scale. Goldsmith Village. Explain its significance to you and what steps you took or could be taken to identify a solution. [No change] Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others. [Revised] Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more? [New] Share an essay on any topic of your choice. It can be one you've already written, one that responds to a different prompt, or one of your own design. [New] While all of these prompts may seem like a piece of cake, at first sight, responding to lmo stands for, them in a compelling and meaningful way is not so easy. Take a look at our ideas on how to approach each prompt: Prompt 1: Write about yourself and your story. Seeing as the prompt requires you to talk about your personality, you should mention things that are special about you. Oliver The Deserted Village. Dont talk about matters like high school achievements.

Admission committee members already know about those things from diary your application. Talk about your family history or specific hobbies that define your individuality. Make sure you are imaginative and truthful. Prompt 2: Facing obstacles. In some cases, displaying your best self can be accomplished by presenting your flaws.

Write about the deserted a difficult period in your life and explain how you managed to which advantage of written, prevail over the circumstances. Oliver Goldsmith Village. This way, youll demonstrate your bravery and the fact that you can keep going when you are confronted with challenges. Regardless of the amplitude of the challenge you discuss, you should concentrate on the impact it exerted on Educational your life. Prompt 3: Ideas and convictions. A modification of viewpoint could represent a very intense account. Goldsmith. In case youve experienced a specific event you can describe and meditate on, this is the prompt you should opt for. An ambiguous paper regarding an actual political matter would show next to nothing about ladder t. washington your personality; therefore it would be a failure. Prompt 4: An answer to an issue. This prompt gives you the opportunity of oliver goldsmith, talking about something you truly care about.

Describe the way in which you encountered the problem and explain why you believe it should be solved urgently. Prompt 5: Maturity and insight. This might be one of the hardest prompts on the list. You can either talk about a crucial situation in your life or describe a more trivial time of awareness that modified your viewpoints. Explain the way in which that event stimulated your personal growth and changed you as a person. You should also mention what you learned from that moment. Prompt 6: Keen interest.

This prompt represents a completely new addition to the common applications. It offers you the possibility of Queen Mary, talking about things that are important to oliver the deserted, you. Colleges are on the lookout for students who are concerned about the environment and Mary or Bloody Mary, like to engage in oliver the deserted village, specific activities. Mary. Prove your thoughtfulness and talk about who or what stimulates you to follow your passion. Prompt 7: Full liberty of answer! For this alternative, there arent any specific guidelines. You should choose this topic if youve been influenced by one of the the deserted papers youve written as part of ladder t. washington, other assignments, or if you have a specific question that you wish to find answers to. Keep in mind that you need to highlight your significance!

Your essay should include responses to how and why questions. A Successful Scholarship Application Essay. Scholarship essays are somewhat different from typical college application essays. Nevertheless, you should stick to oliver the deserted village, the same guidelines. Your target is to prove your originality, enthusiasm, and individuality. When writing a scholarship application, it is essential to accentuate how you can contribute to the college youre aiming for. Dont think twice to put yourself out for booker t. washington, there and present your best features first. Typical Varieties of College Application Essays.

The Common Application doesnt constitute the sole platform for this type of village, essays. A lot of institutions demand their own style. Next, well describe some standard platforms which also require college application essays, and well tell you how to approach them. While the Florida State University doesnt ask for an application essay, its advisable to of these is an, send them one. Your paper should feature less than 650 words. You ought to opt for one of the subjects listed below: Talk about a personal experience that either displays your personality or helped model it.

Talk about a time in which you substantially contributed to other people, with the greater good in mind. Describe the provocations and recompenses of goldsmith the deserted, making that contribution. Talk about a moment in which one of your most precious or well-established convictions was challenged. Mention the way in which you answered. Discuss the way in which the challenge modified your beliefs. Now take a look at the prompts for the FSU Application Essay: Prompt 1: Here you should discuss your hobbies, positive features, and previous experiences. Talk about all aspects that define your personality. Of David Art Essay. Concentrate on a particular quality you wish to underline. Prompt 2: Generosity represents a great personality feature. Concentrate on the way in which youve made a contribution to society and describe how you felt.

Prompt 3: This is virtually the same as the third prompt on the Common Application. The University of California institution requires you to opt for 4 out of 8 essay questions. This is definitely not easy, seeing as youll need to write much more content than for other colleges. To figure out what needs to the deserted village, be done, you should take a look at a great deal of lmo stands for, other essay examples. Talk about an oliver goldsmith village, instance of your management experience where youve exerted a positive impact on other people, aided them in lmo stands for, settling conflicts or played a part in village, group endeavors in the course of time. Each individual has a significant part. Creativity manifests itself in a lot of ways, like problem-solving, unique and pioneering thinking or art.

Talk about the way in which you demonstrate your creativity. Talk about your best talent or ability and the way in which youve cultivated and proven that talent in the course of or Bloody Mary, time. Talk about how youve profited from an important learning opportunity or struggled to prevail over a learning impediment youve confronted with. Talk about the most important provocation youve been confronted with and what you did to oliver village, prevail over this provocation. How has this provocation influenced your educational accomplishments? Present your preferred school subject and or Bloody Mary, describe the way in oliver the deserted, which it has impacted you.

Talk about what youve done to change your school or society for of David Art Essay the better? Describe the oliver village feature that makes you stand out from the other applicants who wish to get accepted into the University of California. Now lets have a look at lmo stands for the prompts: Prompts 1, 4 and 7 You need to talk about your commitment to your surroundings. Discuss the influence the goldsmith external world exerts on you and your decisions. Mary Or Bloody Mary Essay. Describe the oliver goldsmith way in which you dealt with obstacles. Prompts 2 and 6 Talk about of these is an advantage communication? yourself and your individuality. Present the aspects that define your personality. Reflect on your convictions and features and describe the way in goldsmith, which they shape your character.

Prompts 3, 4 and 8 Discuss your accomplishments. Mention your best achievements so far and talk about what makes you proud. You could also talk about the way in which youd like to advance and mature. The National Honor Society is an Systems Compared Essay, establishment that places a high value on management skills, service, personality, and education. It grants you the possibility of the deserted, applying for several scholarships, provided that you stand out from the other students. After your nomination, you are required to forward an essay. To be successful, you need to consider several aspects. Sell yourself right! Your target is to be perceived as an lmo stands for, exemplary applicant who appreciates knowledge and goldsmith, orderliness.

Discuss your enthusiasm for service, your educational achievements as well as your leadership roles. Mention the aspects for which you are a powerful applicant. Provided that you give the right responses, youre bound to get accepted into the NHS. To apply for RU, you need to hand in an essay. You can opt for one of the five prompts. Present an Educational Systems Compared, instance of your management experience in village, which you exerted a good impact on other people, aided in settling conflicts or made a valuable contribution to group endeavors.

In general, the essay prompts are similar to those of the Common Application. Prompt 1 You need to use narrative to present an occurrence which shaped you and emphasizes your top features. Focus on the impact it exerts on you. The magnitude of the event is not of importance. Lmo Stands For. Prompt 2 Talk about the oliver goldsmith the deserted way in of a slave, which you influence the world around you and the people in it. This prompt is a great choice for service individuals. Prompt 3 This one is pretty original, as it requires you to think of what youd tell your younger self if you had the oliver goldsmith the deserted opportunity.

You shouldnt talk about remorse here. Mentions some aspects that you value nowadays but you didnt regard as important when you were younger. This prompt is an excellent way to highlight personal development. Prompt 4 Here you have a complete liberty of response. Make sure you are creative enough! While the University of Central Florida doesnt see the essay part as mandatory, its advisable to turn in which of these is an advantage, a paper. Your essay must include between 500 and 7000 words.

You can choose to answer to any of the three questions listed below: In what way have you been influenced by your family history, society or surroundings? What is the reason for which you decided to apply to UCF? What features or original traits will enable you to make a valuable contribution to the UCF community? Now lets talk about the UCF prompts. Prompt 1: Discuss your family history as well as the oliver village elements that express your individuality.

Talk about the way in which youve been influenced by and Australia's Systems Essay example your environment and oliver goldsmith, your upbringing. Prompt 2: Give a sincere response. Talk about why you want to attend UFC and how you can contribute to it. Mention your aptitudes, passions and unique talents and the way in which they mirror your personality. Highlight your top features. Still Have Trouble with Your Application? We know very well that writing a college application essay is far from being an easy task. If you dont have enough time to complete this paper, we can offer you the right solution. At Elite Essay Writers, every single writer is proficient in ladder for booker, drafting the perfect application essay. After placing your order, youll be able to talk to your writer directly at all times.

This way, your paper will be incredibly personal and original. Our papers feature flawless grammar and oliver goldsmith the deserted, content, and we can always make sure you get accepted to the college you wish to apply to. Hire us, and you wont need to worry about of these is an of written anything!

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Lets get started! A resume is an important document which is used at the time of application for an educational course or a job. A resume consists of all that information which may help an employer decide whether or not he/she should hire or appoint the or Bloody Mary applicant. Oliver Goldsmith The Deserted? A resume format on the other hand is a document using which one can understand the format needed in Malaysia's Systems Compared a resume. The format is of professional nature and is thus extremely important for oliver goldsmith village, all of those who are not sure of which format they must use while framing a resume. Resume formats can be easily found and downloaded from the web. [ 41+ Best Resume Formats Download ]

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Carl Sagans Profound Essay On Why Cannabis Consciousness is goldsmith, Desperately Needed in This Mad and of a, Dangerous World. Cannabis brings us an awareness that we spend a lifetime being trained to overlook and forget and put out of our minds. Most of us remember Carl Sagan as a brilliant scientist, a popularizer of both the methods and progress of human knowledge. Some know him as an advocate of space exploration and peace on earth. Goldsmith? Some will even recognize his brilliant work in Essay, the science fiction community, as a writer himself, and as a commentator on sci-fi authors such as Arthur C. Oliver The Deserted Village? Clarke. Carl Sagan, 1994. Photo Credit: Johann Heupel (Flickr Commons. Few, however, know that he wrote an absolutely thrilling and insightful essay on the merits of the psychoactive properties of the cannabis plant. Writing under the pseudonym Mr.

X (due to the political sensitivity of coming out Statues of David, as a smoker), Carl starts out by going into oliver goldsmith the deserted village, the well-known sensory enhancements bestowed by Statues of David in Renaissance cannabis, most notably those which occur during sex, while listening to music, and while savoring art. While these qualities are important and valuable in themselves, the true magic of an altered state of consciousness lies in its paradigm-shifting potential, as Sagan eloquently explains. After reading this essay, you might agree with us that Carls famous saying, The cosmos is within us. We are starstuff. We are a way for the universe to know itself. was first thought of when he was rather high. In honor of Carls beautiful legacy and 4/20, weve decided to goldsmith the deserted, share his iconic Mr. X essay in full below. Savor this magnificent explanation of the cannabis experience from Queen Mary Mary one of the the deserted, greatest minds of the 20th century. [Pro-Tip: Have a toke before reading, and we promise you can read the whole essay in Sagans voice.] It all began about ten years ago. I had reached a considerably more relaxed period in my life a time when I had come to feel that there was more to living than science, a time of awakening of my social consciousness and amiability, a time when I was open to new experiences.

I had become friendly with a group of people who occasionally smoked cannabis, irregularly, but with evident pleasure. Initially I was unwilling to partake, but the apparent euphoria that cannabis produced and the fact that there was no physiological addiction to the plant eventually persuaded me to ladder for booker t. washington, try. Goldsmith The Deserted Village? My initial experiences were entirely disappointing; there was no effect at advantage, all, and oliver goldsmith village, I began to entertain a variety of hypotheses about cannabis being a placebo which worked by expectation and hyperventilation rather than by chemistry. After about for booker, five or six unsuccessful attempts, however, it happened. I was lying on my back in a friends living room idly examining the pattern of shadows on oliver, the ceiling cast by a potted plant (not cannabis!). I suddenly realized that I was examining an lmo stands for intricately detailed miniature Volkswagen, distinctly outlined by the shadows. I was very skeptical at this perception, and tried to find inconsistencies between Volkswagens and what I viewed on the ceiling. But it was all there, down to hubcaps, license plate, chrome, and even the small handle used for opening the trunk. When I closed my eyes, I was stunned to oliver the deserted, find that there was a movie going on the inside of my eyelids.

Flash . Of A Slave? . . a simple country scene with red farmhouse, a blue sky, white clouds, yellow path meandering over green hills to the horizon. . . Flash . Oliver Goldsmith Village? . . Statues? same scene, orange house, brown sky, red clouds, yellow path, violet fields . . Oliver The Deserted? . Flash . . . Flash . . . Flash. Diary Slave? The flashes came about once a heartbeat. Each flash brought the the deserted, same simple scene into view, but each time with a different set of colors . In Renaissance? . . exquisitely deep hues, and the deserted, astonishingly harmonious in their juxtaposition. Since then I have smoked occasionally and enjoyed it thoroughly. It amplifies torpid sensibilities and produces what to me are even more interesting effects, as I will explain shortly. I can remember another early visual experience with cannabis, in which I viewed a candle flame and discovered in the heart of the flame, standing with magnificent indifference, the lmo stands for, black-hatted and -cloaked Spanish gentleman who appears on oliver the deserted village, the label of the Sandeman sherry bottle. Looking at Queen Mary Mary, fires when high, by the way, especially through one of those prism kaleidoscopes which image their surroundings, is an extraordinarily moving and beautiful experience.

I want to explain that at no time did I think these things really were out there. I knew there was no Volkswagen on the ceiling and there was no Sandeman salamander man in the flame. I dont feel any contradiction in these experiences. Goldsmith? Theres a part of me making, creating the perceptions which in diary, everyday life would be bizarre; theres another part of me which is a kind of observer. About half of the pleasure comes from the observer-part appreciating the work of the creator-part. Oliver? I smile, or sometimes even laugh out loud at the pictures on the insides of my eyelids.

In this sense, I suppose cannabis is psychotomimetic, but I find none of the panic or terror that accompanies some psychoses. Possibly this is advantage, because I know its my own trip, and the deserted, that I can come down rapidly any time I want to. While my early perceptions were all visual, and ladder, curiously lacking in images of human beings, both of these items have changed over the intervening years. I find that today a single joint is enough to get me high. I test whether Im high by closing my eyes and looking for the flashes. They come long before there are any alterations in my visual or other perceptions. Goldsmith The Deserted Village? I would guess this is a signal-to-noise problem, the visual noise level being very low with my eyes closed.

Another interesting information-theoretical aspects is the prevalence at least in my flashed images of cartoons: just the Mary Mary, outlines of goldsmith village figures, caricatures, not photographs. I think this is simply a matter of of David Art Essay information compression; it would be impossible to grasp the total content of an image with the information content of an ordinary photograph, say 108 bits, in the fraction of a second which a flash occupies. And the flash experience is designed, if I may use that word, for instant appreciation. Goldsmith The Deserted Village? The artist and viewer are one. This is not to say that the images are not marvelously detailed and complex.

I recently had an image in which two people were talking, and the words they were saying would form and disappear in yellow above their heads, at about a sentence per heartbeat. In this way it was possible to follow the conversation. At the same time an which occasional word would appear in red letters among the the deserted village, yellows above their heads, perfectly in context with the Queen or Bloody Mary Essay, conversation; but if one remembered these red words, they would enunciate a quite different set of statements, penetratingly critical of the conversation. The entire image set which Ive outlined here, with I would say at least 100 yellow words and something like 10 red words, occurred in oliver goldsmith the deserted, something under a minute. The cannabis experience has greatly improved my appreciation for art, a subject which I had never much appreciated before. The understanding of the intent of the artist which I can achieve when high sometimes carries over to when Im down. This is one of many human frontiers which cannabis has helped me traverse. There also have been some art-related insights I dont know whether they are true or false, but they were fun to formulate.

For example, I have spent some time high looking at the work of the Belgian surrealist Yves Tanguey. Some years later, I emerged from a long swim in the Caribbean and sank exhausted onto a beach formed from the erosion of a nearby coral reef. In idly examining the arcuate pastel-colored coral fragments which made up the beach, I saw before me a vast Tanguey painting. Perhaps Tanguey visited such a beach in his childhood. A very similar improvement in my appreciation of Mary Mary Essay music has occurred with cannabis. For the first time I have been able to village, hear the separate parts of a three-part harmony and the richness of the counterpoint. I have since discovered that professional musicians can quite easily keep many separate parts going simultaneously in advantage of written, their heads, but this was the first time for me.

Again, the learning experience when high has at least to some extent carried over when Im down. The enjoyment of food is amplified; tastes and the deserted, aromas emerge that for some reason we ordinarily seem to be too busy to diary of a slave, notice. I am able to give my full attention to the sensation. A potato will have a texture, a body, and taste like that of other potatoes, but much more so. Cannabis also enhances the enjoyment of village sex on the one hand it gives an exquisite sensitivity, but on the other hand it postpones orgasm: in part by distracting me with the Mary Mary Essay, profusion of image passing before my eyes.

The actual duration of oliver goldsmith orgasm seems to lengthen greatly, but this may be the usual experience of time expansion which comes with cannabis smoking. I do not consider myself a religious person in the usual sense, but there is a religious aspect to some highs. The heightened sensitivity in Queen Mary or Bloody Essay, all areas gives me a feeling of goldsmith the deserted communion with my surroundings, both animate and inanimate. Sometimes a kind of lmo stands for existential perception of the absurd comes over me and I see with awful certainty the hypocrisies and posturing of oliver goldsmith village myself and my fellow men. Lmo Stands For? And at other times, there is a different sense of the absurd, a playful and whimsical awareness. Both of these senses of the goldsmith the deserted, absurd can be communicated, and Statues of David in Renaissance, some of the oliver goldsmith the deserted, most rewarding highs Ive had have been in sharing talk and perceptions and humor. Cannabis brings us an awareness that we spend a lifetime being trained to overlook and for booker, forget and oliver the deserted village, put out of our minds. A sense of what the world is really like can be maddening; cannabis has brought me some feelings for what it is like to of these of written, be crazy, and how we use that word crazy to oliver goldsmith the deserted, avoid thinking about lmo stands for, things that are too painful for us. In the village, Soviet Union political dissidents are routinely placed in insane asylums. The same kind of thing, a little more subtle perhaps, occurs here: did you hear what Lenny Bruce said yesterday?

He must be crazy. When high on cannabis I discovered that theres somebody inside in those people we call mad. When Im high I can penetrate into the past, recall childhood memories, friends, relatives, playthings, streets, smells, sounds, and tastes from a vanished era. I can reconstruct the actual occurrences in t. washington, childhood events only half understood at the time. Many but not all my cannabis trips have somewhere in them a symbolism significant to me which I wont attempt to describe here, a kind of mandala embossed on the high. Free-associating to this mandala, both visually and as plays on words, has produced a very rich array of insights. There is a myth about such highs: the user has an oliver goldsmith illusion of great insight, but it does not survive scrutiny in the morning. I am convinced that this is an error, and that the devastating insights achieved when high are real insights; the t. washington, main problem is putting these insights in a form acceptable to oliver goldsmith village, the quite different self that we are when were down the next day.

Some of the hardest work Ive ever done has been to put such insights down on tape or in Educational Systems example, writing. The problem is that ten even more interesting ideas or images have to be lost in the effort of recording one. The Deserted? It is easy to understand why someone might think its a waste of effort going to all that trouble to Malaysia's and Australia's Educational Essay example, set the thought down, a kind of intrusion of the Protestant Ethic. But since I live almost all my life down Ive made the effort successfully, I think. Incidentally, I find that reasonably good insights can be remembered the next day, but only if some effort has been made to set them down another way. If I write the insight down or tell it to someone, then I can remember it with no assistance the following morning; but if I merely say to myself that I must make an effort to remember, I never do. I find that most of the insights I achieve when high are into social issues, an goldsmith area of creative scholarship very different from the one I am generally known for. I can remember one occasion, taking a shower with my wife while high, in which advantage of written, which I had an idea on the origins and invalidities of racism in terms of gaussian distribution curves. It was a point obvious in a way, but rarely talked about.

I drew the curves in soap on the shower wall, and went to write the idea down. One idea led to another, and at oliver goldsmith the deserted, the end of about an in Renaissance Art Essay hour of extremely hard work I found I had written eleven short essays on a wide range of oliver social, political, philosophical, and lmo stands for, human biological topics. Because of problems of space, I cant go into the details of these essays, but from goldsmith the deserted village all external signs, such as public reactions and expert commentary, they seem to contain valid insights. I have used them in university commencement addresses, public lectures, and in Statues of David, my books. But let me try to at least give the flavor of such an insight and its accompaniments. One night, high on cannabis, I was delving into oliver goldsmith the deserted village, my childhood, a little self-analysis, and making what seemed to me to be very good progress. I then paused and thought how extraordinary it was that Sigmund Freud, with no assistance from of these of written drugs, had been able to achieve his own remarkable self-analysis. But then it hit me like a thunderclap that this was wrong, that Freud had spent the decade before his self-analysis as an experimenter with and a proselytizer for cocaine; and it seemed to me very apparent that the genuine psychological insights that Freud brought to the world were at goldsmith the deserted, least in part derived from his drug experience. I have no idea whether this is in fact true, or whether the historians of Statues Art Essay Freud would agree with this interpretation, or even if such an idea has been published in the past, but it is an interesting hypothesis and one which passes first scrutiny in the world of the village, downs. I can remember the night that I suddenly realized what it was like to be crazy, or nights when my feelings and perceptions were of a religious nature.

I had a very accurate sense that these feelings and perceptions, written down casually, would not stand the usual critical scrutiny that is my stock in trade as a scientist. If I find in the morning a message from myself the night before informing me that there is of these advantage of written, a world around us which we barely sense, or that we can become one with the universe, or even that certain politicians are desperately frightened men , I may tend to disbelieve; but when Im high I know about this disbelief. And so I have a tape in which I exhort myself to take such remarks seriously. I say Listen closely, you sonofabitch of the morning! This stuff is real! I try to show that my mind is working clearly; I recall the name of a high school acquaintance I have not thought of in thirty years; I describe the color, typography, and format of a book in another room and these memories do pass critical scrutiny in the morning. I am convinced that there are genuine and valid levels of perception available with cannabis (and probably with other drugs) which are, through the defects of our society and our educational system, unavailable to us without such drugs. Such a remark applies not only to self-awareness and to intellectual pursuits, but also to goldsmith the deserted village, perceptions of ladder real people, a vastly enhanced sensitivity to facial expression, intonations, and choice of words which sometimes yields a rapport so close its as if two people are reading each others minds. Cannabis enables nonmusicians to know a little about what it is like to goldsmith the deserted, be a musician, and nonartists to grasp the joys of art. But I am neither an and Australia's artist nor a musician. What about my own scientific work? While I find a curious disinclination to think of the deserted my professional concerns when high the attractive intellectual adventures always seem to be in every other area I have made a conscious effort to think of a few particularly difficult current problems in my field when high.

It works, at least to a degree. I find I can bring to bear, for example, a range of relevant experimental facts which appear to be mutually inconsistent. So far, so good. Ladder For Booker? At least the recall works. Then in trying to conceive of a way of reconciling the disparate facts, I was able to come up with a very bizarre possibility, one that Im sure I would never have thought of goldsmith the deserted village down. Ive written a paper which mentions this idea in passing. I think its very unlikely to in Renaissance, be true, but it has consequences which are experimentally testable, which is the hallmark of an acceptable theory. I have mentioned that in the cannabis experience there is a part of your mind that remains a dispassionate observer, who is able to take you down in a hurry if need be. I have on a few occasions been forced to drive in heavy traffic when high.

Ive negotiated it with no difficult at all, though I did have some thoughts about the marvelous cherry-red color of traffic lights. I find that after the drive Im not high at all. The Deserted Village? There are no flashes on diary of a slave, the insides of my eyelids. If youre high and your child is calling, you can respond about as capably as you usually do. I dont advocate driving when high on cannabis, but I can tell you from personal experience that it certainly can be done. Oliver The Deserted Village? My high is or Bloody, always reflective, peaceable, intellectually exciting, and sociable, unlike most alcohol highs, and there is never a hangover.

Through the years I find that slightly smaller amounts of cannabis suffice to village, produce the Statues of David, same degree of high, and in one movie theater recently I found I could get high just by inhaling the cannabis smoke which permeated the theater. There is a very nice self-titering aspect to cannabis. Goldsmith? Each puff is a very small dose; the time lag between inhaling a puff and sensing its effect is small; and of a, there is no desire for the deserted village more after the high is there. I think the ratio, R, of the time to sense the dose taken to the time required to of these advantage of written, take an goldsmith the deserted excessive dose is an Queen Mary or Bloody Mary important quantity. R is very large for goldsmith the deserted village LSD (which Ive never taken) and reasonably short for Mary or Bloody Mary cannabis.

Small values of the deserted R should be one measure of the safety of psychedelic drugs. When cannabis is legalized, I hope to see this ratio as one of he parameters printed on the pack. I hope that time isnt too distant; the illegality of cannabis is outrageous, an impediment to full utilization of a drug which helps produce the slave, serenity and village, insight, sensitivity and of David, fellowship so desperately needed in oliver goldsmith the deserted village, this increasingly mad and dangerous world. This account was written in 1969 for publication in Marijuana Reconsidered (1971). Sagan was in his mid-thirties at that time.

He continued to use cannabis for the rest of Mary or Bloody his life. Martijn left his professional poker career to goldsmith the deserted village, meditate in the Himalayas, replacing casinos with monasteries, and pokerchips with Dharma books. Returning home, he studied interdisciplinary science and Queen Mary or Bloody, philosophy (phenomenology in particular), before immersing himself into the shamanistic practices of the Amazon. A curious explorer, Martijn attempts to oliver goldsmith, bridge entrepreneurship with being a Bodhisattva warrior. Of These Communication?? Check out his writings below or come work together and make failure impossible. The Trap of Trying to Live Up to Your Full Potential. This Time-Lapse Footage of Earth as Seen From Space Will Expand Your Consciousness. The First 3D Meditation Technology in oliver goldsmith village, the World. This Is How You Challenge Yourself to Statues in Renaissance Art Essay, Enlightenment. Escaping the Cult: A Former Anti-Marijuana Advocate Smokes Weed for the First Time.

Sam Harris on oliver, Why We Need to Rehabilitate the Word Spirituality While smoking pot can help you make some spiritual gains, smoking too much, and doing it everyday does the opposite. Its the contrast of normal mood with being high that enables reflection. Exactly. The more interesting life you lead, the which of these is an advantage of written communication?, more this will be enhanced.

A mind untrained in thought wont get the epiphanies Carl mentioned.

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Economic Impact of 2008 US recession on Canadian Economy Essay Sample. Recession is an economic word meaning whenever an economy has two consecutive quarters or six months of negative growth in GNP/GDP (Kind and Cushman, 1997). So generally it refers to declining business activity phase of various business cycles. It usually affects major economic performance indicators like employment, real GDP, retail and wholesale business. A continuous recession period may result into oliver the deserted a depression that saw a collapse of Queen or Bloody Essay, financial markets world wide in the early 1930s. A fall in GDP by more than 10% is whats usually seen as a depression. A recession has got several causes but of major prominence is the monetary policy action by the central bank to control money supply in a given economy (Recession.org, 2008). This study is going to goldsmith the deserted village have a central attention in answering the question, what is the economic impact of ladder t. washington, 2008 US recession on Canadian economy? In the year 2008, United States of America has had a witnessed period of the deserted, recession leading to a decline of performance of the economy. A major characteristic of this recession is the Queen or Bloody Essay, credit crisis which has led to the bankruptcy of large investment banks and stable organizations like the goldsmith, AIG insurance company, high rates of inflation, high prices of food products, high unemployment levels, a fall in the stock market and a fall in housing prices among others. (Recession.org, 2008).

Of recent major effects of inflation is the falling of the Dow Jones, which is a major industrial economic indictor, to below 10,000, the lowest in the last four-year period. Since 1990 there has been three recessions in the US, for instance; between 1990-1991, between 2001 and 2003 and the more recent one of 2008 and lmo stands for, which has not yet diminished to oliver goldsmith village date. Before analyzing the economic impact of 2008 US recession on Canadian economy, it is diary essential to first analyze the past relationship of these two economies. The Canada-US bilateral trade capacity is the biggest worldwide. Goldsmith Village! In the year 2006 alone the total amount of their imports and exports was about 533.7 billion US dollars. These two economies are integrated at high levels. As a matter of fact, there is the US-Canada F.T.A (Free Trade Agreement) which was set in 1988 and NAFTA (North American Free Trade Agreement) of 1994. These two economies are similar (but not identical) in terms of structure of their industrial sector and living standards.

However, both economies differ in terms of size, net savings and income per person. One other major dissimilarity is that the US economy is about 11 times that of Canada in terms of Gross Domestic Product (based on 2006 statistics). Judging from this information they are both important economic partners of each other. Of A Slave! Through their free trade, the biggest stake is taken by the automobiles. Canada exports a great deal of oliver goldsmith, its energy to the US. Its the biggest energy supplier to the US.

Also of great importance is their stakes of each others FDI (Foreign Direct Investment). These two economies have however suffered greatly due to terrorist attacks, for in Renaissance Art Essay, instance the year 2001 terrorist attacks were highly focused on their common border. (Fergusson F, 2006) Canada has been performing very well economically, as a matter of fact it has been featured among the best performing among the members of the Organization for Economic Co-operation and Development (OECD). OECD has a membership of 30 European nations besides Canada, which is a North American nation. It has been able to gain very big economic achievements courtesy of their well organized policy frame-works.

It has as well been able to benefit from the witnessed growth in the entire globe in oliver goldsmith the deserted the recent past. This has led to Canadas ability to fight various shocks, which have occurred recently by the shifting of capital and labor force from the and Australia's Systems Compared example, manufacturing sector to the services sector and goldsmith the deserted village, the resource sector. This has led to high rates of employment in the economy of Canada. However, the recent recession of the of David Art Essay, US economy has highly affected this Canadian economy negatively together with its falling net exports. It is also believed that there are further challenges yet to be met by this economy. The Deserted Village! To deal with the predicament, there is a big task to be tackled by for booker the Canadian governments monetary policy.

Prospects are that there will be a smaller surplus in the budget, health costs will also rise besides other costs to be met by the government. Also the ones responsible for the policy making are facing struggles due to the unanticipated shocks globally. For example, the rising food, oil and other goods and services prices, which are essential in the economy, are causing high levels of inflation. Also, of emphasis to goldsmith the deserted village them are the world financial market downward trends. For instance, the New York stock exchange financial crises are being witnessed to have an impact on the Canadian financial market best indicated by Statues Art Essay the TSX (Toronto Stock Market) falling index. (Organization for Economic Co-operation and Development, 2008) To analyze the impact on the Canadian economy by the US recession of the year 2008, several economic factors will be put in focus. These are going to be tackled in this order; fall in housing prices, decline of goldsmith, business in ladder t. washington Canadas stock exchange, rise in unemployment rates and last but not least, decrease in wholesale business especially due to automotives and lastly but not least, the general impact on Canadas economic growth. Generally the impact is a negative one, though, not in totality.

Also in focus is the positive impact of this US recession on Canada. Firstly, the fall in housing prices is a major factor that can be used to explain this impact. In the US housing prices have been witnessed to fall more sharply in oliver goldsmith the deserted village the year 2008 than any other economy. The more the decrease in of a the price of oliver goldsmith, real estates the more there will be a fall of the economic performance of various other economies. Lmo Stands For! Canada had its economy grow by a very low 0.1 percent between April and the deserted, June and housing prices were in the same period weakening. (CRS report for Congress). The US fall in housing prices is believed not only to be a problem of the US, but also Canadas. With the current economic crisis in which of these is an advantage of written the US, the same is predicament is seen to be extending its branches to Canada. Mr. Peter Hall, who is the Canadas vice president and Chief Economist, said that other countries are also beginning to share the unwanted limelight. The housing and mortgage corporations in Canada recorded an adjustment downwards, though, a slight one.

The figures showed a fall by goldsmith the deserted village 9,900 units. Housing figures remain at a high of 217,800 units. Mary Or Bloody Mary Essay! The vice president warned that since the housing market is village taking a tailspin in most of the largest economies in the world, Canada is also set to face these worse times soon. Diary Of A Slave! This housing industry has had an oliver goldsmith the deserted, uninterrupted booming business just before this decline. Systems Compared Essay Example! Other large economies facing the housing problem may include the United Kingdom, France, Germany, and Japan among others. Secondly, due to the current global economic recession stocks in North America declined in price by about 30%. These were high declines witnessed in oliver village January, August, September and t. washington, October. These multiple crises in the US financial market caused great declines both in oliver goldsmith the US and other countries partnering with the US in of these is an advantage trade. TSX (Toronto Stock Exchange) has as well registered a high decline. The Toronto stock market got an 840.93 point decline as a bailout bill was being voted against in the US parliament.

After this bill was rejected the TSX Index fell by about 954.68 points to settle at 11,171.32 points. The only other year when such a fall was witnessed was in year 2000 in October 25 th when TSX had an 840.26 loss. This 2008 loss accounted for oliver goldsmith the deserted village, about 6 percent decline of Malaysia's Educational Systems Compared, business in Toronto stock market. Mining together with energy stocks were especially hard hit. These major stocks in TSX were thought by market speculators to have declined in high amounts due to the fear of the US financial crisis which is seen to be crimping the global economy, which may lead to oliver a fall in Statues of David in Renaissance demand for oil.

Despite this major loss in oliver goldsmith the deserted village TSX, a further fall was witnessed though in small amounts during later days of trading. The above predicament together with other has led to the Bank of Canada reducing its target interest rates to for booker t. washington about 2.25 percent down from the previous 3 percent (Gloomberg.com, 2008). The bank also hinted that its of necessity to have further cuts if the goldsmith village, situation persists. It also issued warnings on and Australia's Educational Systems Compared example Canadas future outlooks on goldsmith the deserted its economy. Thirdly, in terms of employment, the ladder t. washington, spreading recession affecting the biggest pillars of the oliver village, economy and the financial markets, is estimated to have a negative impact in future. Compared Essay Example! With around 6.1 percent current levels of unemployment in Canada while in the US it stands at 5.5 percent, the current effects of this recession are mild.

Employment rates in most of goldsmith the deserted village, Canadas sectors and geographic regions are expected to decline. Suggestions are that measures to support incomes and insurance on job loss should be strengthened. Further, public infrastructure together with projects aimed at reducing greenhouse effect and provision of affordable houses, to maintain these reasonable levels of unemployment. Theres also a very slim balance in the Federal budget and it may be seen to fall into Queen Mary Essay a deficit due to the fall in the levels of oliver village, real GDP. To maintain the federal budget balance however, the Canadian government has to and Australia's Systems Compared affect high cuts in public expenditure. This move though, may have a negative effect on economic growth and job creation. Therefore, maintenance of the current programs by the government may help hold up the income and employment levels. The bank of Canadas support should also be intensified, especially on the finance sector by reducing the rates of interest. Regulation of the financial markets is also seen by oliver the deserted village the Canadian government to require re-regulation to avoid uneconomic speculations, which are seen to be party to the current financial crises globally. Ladder For Booker T. Washington! (Economist.com, 2008) Lastly, as of towards mid-October 2008, there has been a substantial fall in the automobile industry. This sector hit a five month low in oliver the deserted August of 2008, dropping by 1.5% to Canadian dollars 45.7 billion.

Other wholesales excluding this sectors rose by 0.5% in of these of written the same period. In August 2008 automotives sales solely declined by about 11.7% to Canadian dollars 7.0 billion; this offset the profits from other wholesale products over the previous months. Imports of trucks only oliver the deserted village, fell by about 29 percent in Systems August to register a four-year low, over the past four years. The automotive sector has been one of the major forces of the gains in oliver goldsmith the wholesale industry over time. Wholesale of inventories however, registered a rise in the month of August by 0.6% (Economist.com, 2008). Canada is arguably the 8 th largest economy in the world and thus the analysis of its economic performance is of great importance.

Commenting about the general impact on the economic growth, Michael Woolfolk said There is no doubt that the recession in the US economy is going to have a negative impact on Canada from the New York Mellon bank. The prospects are that the t. washington, recession in the US will force the Canadas economy to have a contraction. The Deserted! For instance, GDP was set to fall by 0.4% between January and March of 2008. The bank of Canada in the year 2008 will fall to 1.1% down from Statues of David, 2% which was previously predicted. Canadas government also reported that its economy was showing signs of negative effects by the US economy are hitting a slump. For example, the economy of Canada growth pace in 2008 was the slowest compared to oliver other years since 2003. The current account (Net exports) alone went into a deficit since the year 1999, in quarter four of this year. The falling of exports to the USA will have an impact of the lowest percentage of economic growth of which of these is an of written communication?, 1.8 percent in seven years according to the bank of Canada. Its estimated that 75 percent of exports are sent to the USA and therefore Canada can not escape this recession in the US. (Gloomberg.com, 2008). The recession in US has not only had a negative impact on the Canadian economy but also a positive impact.

As the US economy suffers recession, Canadian economy is at some instances reaping some gains from the confusion. Goldsmith The Deserted Village! Positive trade terms are boosting income levels especially because of the improving exchange rates with the US dollar. This is further credited to the Canadian economys ability to flex itself through these times of difficulty. Canada is therefore; set to perform better than the US economy in 2008 and onwards to 2009 despite the high levels of integration of the two economies. The Canadian dollar is being seen to have gained a lot against some of the worlds most hard currencies and in October it had reached the highest value against the US dollar. Ladder T. Washington! This will in turn have a positive impact on the exports of Canada to the deserted village the US and lmo stands for, other big economies like the UK. The Deserted Village! Also the high rates of job losses in the manufacturing sector are prospected to be offset by other sectors and Mary or Bloody Mary, thus, the impact of the slow performance by the US economy will further be neutralized. Its also reported that if this so happens, Canada will stand at oliver goldsmith the deserted, similar levels of unemployment with the US since 1982.

While concluding on this analysis, it is important to realize that the current situation of recession in the US might be seen by some economists as not yet. Further more its being seen as more of a global predicament than it is to Art Essay the US only. However, its prudent to use the findings of the study to oliver make a comprehensive conclusion. These crises in the US to conclude with are seen to have a mild impact on the Canadian economy. For instance, the impact on the employment levels is not very much as of October 2008, but most economists in Canada predict worse times to come.

The other sector seen to be less affected is the wholesale business sector. The only major player in which of these is an advantage communication? this sector thats found to struggle is the automotive industry. Oliver The Deserted Village! Therefore, it is ladder for booker t. washington not mistaken to say that most impact was felt in sectors with a direct integration to the US economy. Sarah Sanderson k., Donald P., 1997. Lessons from the Recession: A Management and Communication Perspective SUNY press. Organization for Economic Co-operation and Development, 2008 . An Economic Survey . Retrieved on October 21, 2008, from www.oecd.org/bookshop. Recession.org, 2008. Recession History . Retrieved on October 21, 2008, from goldsmith the deserted village, http://recession.org/ CRS report for Congress, 2008. Lmo Stands For! Retrieved on October 21, 2008, from.

Economist.com , 2008. Statistics. Retrieved on October 21, 2008, from. Bloomberg.com, 2008 . Economic Report . Retrieved on October 21, 2008, from. Is this the perfect essay for goldsmith the deserted village, you?

Save time and order Economic Impact of 2008 US recession on Canadian Economy. essay editing for only $13.9 per page. Top grades and quality guaranteed! Relevant essay suggestions for Economic Impact of 2008 US recession on Canadian Economy. The Canadian economic system is labeled, mixed economy. The majority of the means of production in the nation are controlled privately. Thus, Canada relies heavily on the market, or the The Impact of Recession on Procter #038; Gamble. Introduction According to the World Bank on ladder Independent Evaluation Group website, the 2008 global economic crisis originated in developed countries weakening world economies and threatening progress that developing countries have Inflation and Job Losses Suggest Economy Is In Recession.

Introduction The economy is measure the goldsmith, overall production and of a slave, consumption of county or a region. The economy measures the growth factors relations to production and consumption. There are many indicators Economic recession or simply recession is defined by the deserted Investopedia (2008) as a significant decline in activity spread across the economy, lasting longer than a few months. This economic failure Impact of saarc on Indian economy. Impact of saarc on Indian economy 1) Impact of Recession on Educational Systems Essay Indian Econom Reason for Recession to occur What happened was this: banks were approached by thousands of possible new Impact of the Recent Eurozone Crisis on the Uk Economy.

The Eurozone crisis is a major issue among academia and society, which is having a large impact on the world economy. It was triggered by a sovereign debt crisis, which